(Photo: Cory Weaver/San Francisco Opera) “Agamemnon! Agamemnon!” The words and tones rang in my ears still, as I emerged from the powerful rendering of San Francisco Opera’s Strauss and Hofmannsthal’s “Elektra.” The sunshine on the street did not turn it down. The 95 piece orchestra, conducted by San Francisco Orchestra Music Director, Eun Sun Kim, and the powerful voices of {…}
This article was written by David & Francisco Salazar The Met Opera is very consistent at bringing the best stars from around the world to perform on its legendary stage. And year after year, the audience is gifted with potent operatic performances. This year was no different and today, we enthuse about the 10 singers that remain stuck with us. {…}
Debussy’s masterwork “Pelléas et Mélisande” is one of the most glorious operas ever written. Its melodies are elusive, but when performed at its maximum expression, it can wrap you up and transport you to a different state in a way only few other operas can. It is truly a masterwork. The Metropolitan Opera produced the work for the first time {…}
On Tuesday, October 30, 2018, the Metropolitan Opera opened this season’s run of Georges Bizet’s perennial masterpiece, “Carmen.” Making his debut with the Metropolitan was Israeli conductor Omer Meir Wellber, who is set to serve as chief conductor of the BBC Philharmonic Orchestra in 2019. Under his baton, the orchestra and experienced cast joined together in ways that put their {…}
This review is for the performance on Friday, Feb. 3, 2017. When Sophie Koch cancelled all of her performances for Bizet’s “Carmen” at the Metropolitan Opera, attention immediately turned toward Clémentine Margaine, who was set to make her Met debut on Feb. 3. Instead the French mezzo saw her first performance at the history house pushed up two weeks. Of {…}