“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a film section or a film in its entirety and highlight the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Florian {…}
Bard SummerScape is set to kick off on July 8 and run through August 22. As part of SummerScape, the 31st Annual Bard Music Festival will celebrate the life and works of one of the most important women in music history, Nadia Boulanger (1878 – 1979). The festival will fete the Parisian polymath who taught composition to students such as {…}
“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a film section or a film in its entirety and highlight the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Maurice {…}
Now two weeks into 2020, we are starting to see a greater number of opera companies open up their doors and return to business. This week’s five recommendations feature major repertory staples sprinkled in with two rarities – one from the baroque era that comments on today’s Superhero obsessed culture with another more modern composition that looks backward to a {…}
The Long Beach Opera is set to present the world premiere of its re-imagination of Purcell’s “King Arthur.” The opera, which will be directed and adapted by Andreas Mitisek, is set to appear o Jan. 12, 18, and 19 at the Beverly O’Neill Theatre in Long Beach, California. Culture Clash and Musica Angelica will perform alongside Bass-baritone Cedric Berry, soprano {…}
The Staatsoper Berlin’s “King Arthur,” in its current production by Sven-Eric Bechtolf and Julian Crouch, began with a deceptively childlike staging. Thirteen empty chairs lined the edge of the stage, their backs against a scrim with the pale blue and white pattern of wallpaper. As René Jacobs led the Akademie für Alte Musik Berlin through the overture, actors entered from {…}
“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Martin Scorcese’s “The {…}
For many, King Arthur is Britain. Deep in the history and literature, he stands as an icon of Britain’s essence – heroic, brave, mighty, magnanimous – the pinnacle of the good, even if flawed as even the noblest are. Henry Purcell’s opera, a.k.a. semi-opera, “King Arthur,” set to English poet John Dryden’s libretto, incorporates some of these characteristics while it {…}
Henry Purcell’s “King Arthur” arrives at the Berlin Staatsoper on Sunday Jan. 15 in a run that has already reportedly sold out. According to the official website of the Staatsoper, all five runs of the production have no remaining tickets for those interested in witnessing the performance. The opera, written by librettist John Dryden, is rather unique in its construction. {…}