The Minnesota Orchestra has announced its 2024-25 season. Here is a look at the vocal performances. Thomas Søndergård, conducts a program of Mozart, Messian, and Ortiz with soloists Andrea Carroll, Jack Swanson, Dashon Burton, and Minnesota Chorale. Performance Dates: Nov. 22 & 23, 2024 J’Nai Bridges and pianist Jon Kimura Parker headline the New Year’s Eve concert. The program includes music {…}
The Rossini Opera Festival has announced its 2024 season which will be held in Pesaro from August 7 to 23, 2024. The Festival will be inaugurated at the PalaScavolini, a new theatre space reopened within the already famous PalaFestival, by “Bianca and Falliero.” Roberto Abbado will conduct the Orchestra Sinfonica Nazionale della Rai and the Coro Teatro Ventidio Basso. The {…}
This week audiences will experience new music and a number of rare pieces in the repertoire. Rising Lawrence Brownlee’s is set to release a new album “Rising,” in celebration of Black Music Month. “Rising” features a program of new songs that Brownlee commissioned from six up-and-coming African-American composers (Damien Sneed, Brandon Spencer, Jasmine Barnes, Joel Thompson, and Shawn E. Okpebholo), {…}
In part of its opera for all series, Opera Maine will present Rossini’s “La Cenerentola.” Israel Gursky will lead Hongni Wu, who will play the title role beside Jack Swanson as the prince, as well as Patrick Carfizzi, Robert Mellon, Katherine Henly, Rachel Barg, and William Guanbo Su. They are joined by the Opera Maine Orchestra and Chorus and directed by {…}
Guild Hall and Bel Canto Boot Camp (BCBC) has announced the formation of a new Resident Artist Program and Series that will support an emerging generation of opera singers and bring operatic performances and community engagement programs to Long Island’s East End. Internationally recognized star artists baritenor Michael Spyres and tenor Jack Swanson will kick off the 2022 launch, joining {…}
The Utah Opera has announced its 2022-23 season featuring four productions. Ari Pelto conducts Wagner’s “The Flying Dutchman” production of Tomer Zvulun. Michael Chioldi, Wendy Bryn Harmer, Robert Stahley, and Tichina Vaughn. Performance Dates: Oct. 8-16, 2022 Stephanie Rhodes Russell conducts Donizetti’s “La Fille du Régiment.” Michael Shell directs with a cast that includes Madison Leonard, Jack Swanson, and Matthew Burns. Performance Dates: Jan. 14-22, 2023 {…}
The Atlanta Opera has announced its 2022-23 season featuring some of the great classics in the repertoire. Mainstage Season Puccini’s “Madama Butterfly” opens the season with Timothy Myers conducting the production by Tomer Zvulun. Yasko Sato stars in the title role with Gianluca Terranova, Nina Yoshida Nelsen, Julius Ahn, and Allen Michael Jones. Performance Dates: Nov. 5-13, 2022 Arthur Fagen {…}
Minnesota Opera has announced its 2022–2023 Season marking the company’s 60th season. The season will feature five operas including two world premieres Performances will also be at the Ordway Center for the Performing Arts and the Luminary Arts Center. Ordway Series The company will present the world premiere of “Edward Tulane” by Paola Prestini and Mark Campbell. The cast is {…}
The Austin Opera has announced its 2022-23 season which will feature three classic works with all star casts. The 2022–2023 Long Center Season opens with Rossini’s “The Barber of Seville” starring soprano Lauren Snouffer, baritone Emmett O’Hanlon in the title role, and Jack Swanson. Stephanie Rhodes Russell conducts. Performance Dates: Nov. 5-13, 2022 “Sweeney Todd” will be conducted by Timothy {…}
(Credit: Decca / Josef Gallauer) On August 22, the Rossini Opera Festival will present a gala honoring Juan Diego Flórez’s 25th anniversary at the ROF. The gala will see the attendance of the President of the Italian Republic, Sergio Mattarella, as an honored guest. Soloists will include Flórez, Eleonora Buratto, Marina Monzo, Marta Pluda, Manuel Amati, Giorgio Caoduro, Nicolo Donini, {…}
(Photo: Amati Bacciadi) Rossini’s setting of “Il Signor Bruschino” to a libretto by Giuseppe Maria Foppa was the last of five one act farces Rossini wrote for Venice’s Teatro di San Moise between 1810 and 1813, and apart from “Adina” written for Lisbon in 1818, and to which he gave only cursory attention, it was a form to which he {…}