(Credit: Karli Cadel Photography) This review for a performance on August 7, 2021 For the past few years, I have been a big fan of the Glimmerglass opera festival. Taking place in Cooperstown — a significant three and a half hour drive from New York City, and set on a lake — this jewel of a festival consistently presented powerful {…}
OperaVision has announced its July 2021 streaming slate. First up will be a production of “Andrea Chénier” from the Hungarian State Opera. The work will feature Boldizsár László, Eszter Sümegi, and Michele Kalmandy. Balázs Kocsár conducts a production by Fabio Ceresa. Streaming Date: July 2, 2021 Next up will be a production of “The Haunted Manor” from Poznan Opera. The {…}
(Credits: © Aymeric Giraudel / Fabien Monthubert / © Simon Fowler) Opéra de Rouen Normandie, France has announced its 2021-22 season. For the purpose of this article, we will only focus on the operatic and vocal performances. Here is the full slate. Opera and Musicals Verdi‘s “Il Trovatore” opens the season with Lionel Lhote as Count di Luna, Brigitta Kele {…}
Opernhaus Zürich has announced a cast change for its fall performances of “Il Trovatore.” The company announced that Agnieszka Rehlis will now sing the role of Azucena replacing Anita Rachvelishvili, who was forced to cancel due to pregnancy. Rehlis is a Polish mezzo who is set to perform Amneris in “Aida” at Opera Australia, Savonlinna Festival, and the Teatro di San {…}
Over the last few years, few tenors have made their mark quite the way Korean Yonghoon Lee has. The tenor has built up an enviable career that has seen him perform all over the world at the major companies including the Metropolitan Opera, Royal Opera House, Opéra National de Paris, Opernhaus Zürich, Vienna State Opera, San Francisco Opera, and many, {…}
(Credit: © Fidelio Artist – Fernando Vázquez Morago) The Orquesta Filarmónica de Gran Canaria has announced that it will honor the centenary of the death of composer Camille Saint-Saëns by performing a concert featuring mezzo-soprano Nancy Fabiola Herrera. The concerts will take place on March 11 & 12, 2021. The program for the concert includes various works by Saint-Saëns, such {…}
(Credit: LA Opera official website) The Ópera de Las Palmas de Gran Canaria has announced a cast change for Verdi’s “Il Trovatore.” The Spanish company announced that tenor Murat Karahan will no longer sing the title role and will be replaced by Arturo Chacón-Cruz who will make his house debut. Chacón-Cruz is well known for his Italian roles and he {…}
The Opéra National de Paris has announced several changes coming to its upcoming schedule. The company stated that its concert version of “Il Trovatore” would no longer be taking place at the Opéra de Bastille and that chamber concerts between Feb. 11-25 at the Studio and Amphithéâtre Bastille will also be canceled. Additionally, the ballet program scheduled for February at {…}
(Credit: Opera Australia official website) Celebrated Australian opera director Elijah Moshinsky has died at the age of 75. Moshinsky graduated from the University of Melbourne and made his operatic debut in 1975 at the Royal Opera House with a production of Britten’s opera “Peter Grimes.” The famed director went on to stage a number of highly successful productions at the {…}
(Credit: Vincent Pontet / OnP) The Opéra National de Paris has canceled its run of Richard Strauss opera “Capriccio.” The news were confirmed on the social accounts of several soloists who were scheduled to take part in the production. Opera was slated to star Diana Damrau, Wolfgang Koch, Pavol Breslik, Audun Iversen, Günther Groissböck, Ekaterina Gubanova, Graham Clark, Wolfgang Ablinger‑Sperrhacke, {…}
(Credit: http://www.avantartmagazin.com/) Famed Serbian mezzo-soprano Biserka Cvejić has died at the age of 97. Cvejić performed over 70 roles during throughout her renowned career, including Bizet’s “Carmen,” which became one of her calling cards. Other major roles included Eboli in Verdi’s “Don Carlos,” Amneris in “Aida,” Ulrica in “Un Ballo in Maschera,” Azucena in “Il Trovatore,” Charlotte in Massenet’s “Werther,” {…}