Metropolitan Opera 2018-19 Review: Iolanta & Bluebeard’s Castle

This review was written by David & Francisco Salazar for the performance on Jan. 24, 2019. With the double bill of “Iolanta” and “Bluebeard’s Castle,” director Mariusz Trelinski sought to explore how the search for vision could lead to growth but inversely lead to darker truths and self-destruction. When his production returned to the Met Opera on Thursday, Jan. 24, {…}

Q & A: Maestro Henrik Nánási on Met Opera’s ‘Iolanta’ & ‘Bluebeard’s Castle’

Tchaikovsky’s “Iolanta” and Bartók’s “Bluebeard’s Castle” will return to the Metropolitan Opera as a double after a successful run a few seasons ago. On first look, it seems like a strange combination with the composers’ styles rather different overall. It takes a truly strong maestro to move from Tchaikovsky’s lush lyrical qualities to Bartók’s challenging harmonic structures. Hungarian maestro Henrik {…}