Photo credit: SF Bernd Uhlig In one of his literary excursions, the great Portuguese author Eça de Queiroz reviewed the premiere of Verdi’s “Macbeth” in Lisbon. He did not see the original Italian version of the opera, but the revised French one and quite likely with the same cast as in Paris. Eça insisted that Verdi was the greatest living {…}
The end of this month sees the start of Ireland’s Blackwater Valley Opera Festival, which this year will be performing Verdi’s “Macbeth.” The staging will take place in the grounds of Lismore Castle, the perfect backdrop for evoking the atmosphere of murder, treachery and ghostly interventions, set within the walls of Inverness and Dusinane castles. The director bringing this to {…}
(Photo: Tristram Kenton) Robert Carsen’s new production of Giuseppe Verdi’s “Aida” opened at the Royal Opera House back in the autumn; now it is receiving its first revival as the 2022-23 season begins to wind up for the year. First time round it was conducted by Antonio Pappano; this time an equally distinguished British institution takes the musical reins in {…}
On Mar. 12, 2023, the Metropolitan Opera revived and gave the Robert Carsen-directed “Falstaff” its season premiere, marking the company’s 193rd performance that crackled with energy and verve. There was electricity in the crowd, as well. At times, an opening night can feel like a final dress rehearsal. This was not one of those times. The show was tight and {…}
Photo: David Ruano/Gran Teatre del Liceu Željko Lučić’s Strong Macbeth Serbian baritone Željko Lučić replaced Spanish bass-baritone Carlos Alvarez—who unfortunately had to cancel due to illness—in the role of Macbeth for Verdi’s eponymous opera, currently staged at Barcelona’s Gran Teatre del Liceu. Lučić has regularly performed at the Metropolitan Opera, New York, where he has given us most of his {…}
Photo: David Ruano/Gran Teatre del Liceu On the 25th of February 2023, Gran Teatro del Liceu streamed their new production of Verdi’s “Macbeth” with American soprano Sondra Radvanovsky singing Lady Macbeth, the leading female role. It was a huge success, garnering an explosive reaction from the audience at the curtain call, who showed great admiration towards the cast, orchestra, and {…}
Opera de Oviedo closed his 75th season with a period production of Verdi’s “Ernani,” which included a strong cast of singers and the expert baton of the Italian conductor Daniele Callegari. The Italian stage director Giorgia Guerra did an homage to old-school opera. She staged the opera with painted canvas, cardboard arches, pillars, and curtains, as it probably would’ve been {…}
On December 30th, Detroit Opera ended its transformative 2021-2022 season with a concert production of Giuseppe Verdi’s opera “Aida,” his antepenultimate work whose Oriental plot and exotic aesthetics discredit the work’s premiere location, ironically the Khedivial Opera House in Cairo, Egypt. It seemed people of all kinds came to see this production, one of opera’s most infamous players. It should {…}
New York’s Heartbeat Opera has announced its 2022-23 Season, which includes a video premiere and the company’s Spring Festival, featuring significant adaptions of Puccini’s “Tosca” and Verdi’s “Macbeth.” The Season kicks off with a free video premiere of Beethoven’s “Fidelio” featuring over 100 incarcerated singers from six prison choirs. Ethan Heard adapted and directed this re-imagining of the opera in {…}
Photo: Clive Barda 2022 ROH This first revival of Keith Warner’s production of Verdi’s “Otello” (libretto by longstanding collaborator Arrigo Boito) comes with a frisson of contextual excitement. Warner’s expressionist production opened in 2017 starring Gregory Kunde and Jonas Kaufmann, and tried to give the piece a more existentialist reading that turned away from the problems that skin color presents {…}
(Credit: Bill Cooper) A much-anticipated revival of Verdi’s breakthrough Old Testament drama on the life of Nebuchadnezzar opened before Christmas with its second cast. COVID supervened to scratch performances until January – which in theory would’ve seen Anna Netrebko make her role debut as Abigaille, one frequently thwarted by the pandemic. As it happened, travel restrictions meant an evening senza {…}