I will never die. But when if I do—certainly after 2300—, I want to be mourned with Verdi’s “Requiem.” No discussion. Few musical moments are more rewarding than the first tenor “Kyrie,” breaking into the orchestral mass, abashing any feelings that are not of heroic repentance. I simply love it. However, such strong personal preference creates rigid expectations of how {…}
Verdi’s “I Vespri Siciliani” was last on the stage in Naples back in 2011, featuring the original French version created by the composer for the Opera de Paris in 1855. This year, however, Teatro San Carlo is showcasing the Italian rendition, which is more commonly performed in Italy, without the ballet sequences. The narrative, crafted by Eugene Scribe’s libretto, revolves {…}
Credit: © OMC-Marco Borrelli On Sunday November 26th, the Opéra de Monte-Carlo gave the final performance of its first staged opera of the season, a new production of Verdi’s “Don Carlo” in the four-act Italian version of 1884. The staging was entrusted to the Turin-based Davide Livermore, scenographer Giò Forma, costume designer Sofia Tasmagambetova and Video designer D-WOK. Although Livermore {…}
(Callas greeting fans. Credit: © Archiv Lebeck.) Editor’s Note: In anticipation of the release of “The Callas Imprint: A Centennial Biography” on Dec. 2, 2023, OperaWire is sharing a preview. “Greatness” is a noun too frequently assigned to humans. Victims of this label view the happening of “genius” as a capricious, “limited time only” gift. Here we follow Callas on {…}
(Credit: Michele Crosera) After 1,100 years as an independent state, Napoleon’s invasion of Venice in 1797 brought the Venetian Republic to an end. Once the Queen of the Adriatic, with an empire extending throughout the Eastern Mediterranean, it has since been reduced to a small city in the north-east of Italy, with a declining population and overrun by tourists. Unfortunately, {…}
(Photo: Kristaps Kains, Latvian National Opera) Latvia National Opera’s production of Verdi’s “Don Carlo” was musically and visually excellent, but the director Claus Guth’s underlying concept was not, at least initially, easy to grasp, despite his clearly written program notes. His underlying idea is that it is Carlo’s energy, values and behavior set against a despotic society, in which faceless {…}
(Credit: Royal Opera) I suppose anything with “Destiny” in the title will always be a bit profound. In fact, “La Forza” is about as profound and gloomy, if not downright dark as it gets, even by Verdi’s standards. At around four and a half hours, it’s also his longest work. It’s a story of love, death, and revenge. Mainly revenge. {…}
Photo credit: Amati Bacciardi Venice’s Teatro La Fenice is currently staging Verdi’s “I Due Foscari” with a stellar cast that includes soprano Anastasia Bartoli in the role of Lucrezia Contarini. Bartoli has hit the headlines over the past few seasons with a string of stunning performances across Italy. In 2023 alone she has appeared in a variety of diverse roles, {…}
Italian Maestro Daniele Callegari is scheduled to lead performances of Giuseppe Verdi’s “Nabucco” at The Metropolitan Opera this season, September through October 2023, and December through January 2024. The lead roles will be performed by George Gagnidze as Nabucco, Liudmyla Monastyrska as Abigaille, and Dmitry Belosselskiy as Zaccaria. Callegari made his American debut in 2007, leading a concert performance of {…}
Verdi’s “Il Trovatore” conjures up fire from the outset like firelight. It burns and blazes with passion. It smolders. The more Verdi wrote, the more his imagination leapt into flames. One magnificent, powerful and engaging aria, duet, trio, quartet and chorus, emerging after the other. Dazzling. And what a story – an Italian troubadour with love affairs and babies tossed {…}
(Photo: © Ruth Walz) A couple of weeks ago, I had a lovely conversation with one of the dramaturgists of Salzburg Festival’s production of Verdi’s “Falstaff.” He pinpointed how strange it is for a dramaturg to hear that the staging for this production did not work, but the music did. To him, music and theater are part of the same {…}