(Photo: Alciro Theodoro da Silva) The centerpiece of this year’s International Handel Festival in Göttingen was five performances of the composer’s 1644 music drama “Semele,” in a new production conducted and directed by the festival’s artistic director George Petrou. At the final curtain, the audience greeted the cast with a thoroughly deserved standing ovation. The bravos rang out around the {…}
(Photo: Alciro Theodoro da Silva) Having survived the Reformation, allied bombing during World War Two and even an arson attack in 2005, Göttingen’s St. Johannis’ Church, which can trace its roots back to at least 1272, stands proudly overlooking the streets of the city’s historical centre. The current church, which dates back to the 14th century, has been added to {…}
At the age of 21, mezzo-soprano Giuseppina Bridelli made her professional debut in the role of Despina under the baton of Diego Fasolis, since which time she has been on what appears to be a never-ending upward trajectory. Now firmly established as one of the leading interpreters of the baroque repertoire, she is an artist constantly in demand, performing at {…}
Detroit Opera performed George Friederich Handel’s opera “Xerxes,” written from 1737 to 1738, on commission by the King’s Theatre in London. With a change of hands only months behind, Yuval Sharon has a huge legacy to continue, which was frustrated by the opera’s subpar performance. With a stellar orchestra but a shaky cast, Detroit Opera’s renovated Handel was a very {…}
On April 7, 2023, The Royal Choral Society will present Händel’s “Messiah” at the Royal Albert Hall. Falling upon Good Friday, the performance has become a beloved London tradition since its beginning in 1876; since then, only the 1940-41 Blitz and the 2020-21 COVID pandemic have managed to derail a performance. This performance will be conducted by Music Director Richard {…}
On April 6, 2023, Opera Atelier will conclude its 2022-23 season with Händel’s “The Resurrection.” Held at Koerner Hall, TELUS Centre for Performance and Learning, the performance marks the Canadian premiere of the work in a fully-staged production for a live audience. Conductor David Fallis will conduct Tafelmusik Baroque Orchestra, with the Artists of Atelier Ballet performing choreography by Founding {…}
(Photo: Monika Rittershaus) Elites within society are nothing new. However, over the latter part of the 20th century and the first quarter of the 21st century, we have witnessed the emergence of an increasingly powerful elite who possess significant global interests yet apparently display little attachment to any specific country. It is an elite that is accumulating wealth and income {…}
(Photo: Benoit Auguste) Over the course of the 17th century, the role of the tenor was displaced by the rise of the castrato. Whilst in opera’s early years tenors were given prominent roles, such as the title role in Monteverdi’s “L’Orfeo,” by the middle of the century they were relegated to comic or travesti roles. During the early 18th century, {…}
Hoping to reinvigorate waning public interest in Italian opera’s extravagance and pretentious filigree, Händel was of no mind to delay conceiving a new orientation for his musical talents. Thus, despite staying firmly committed to his Italian proclivity, he began creating English oratorios on the side to supplement lost income, and after a series of tries with both English and Italian, {…}
(Photo: James Glossop) In the early 1730s the newly established The Opera of the Nobility succeeded in displacing Handel from London’s King’s Theatre, causing him to relocate to the recently built Covent Garden, a theatre furnished with the latest stage machinery, a chorus and dance company. The composer’s response to his new circumstances was to compose a run of successful {…}
(Credit: © Camilla Greenwell, ROH 2022) A much-publicized intimacy director; bold text warnings about sexual violence and “terrorist themes.” There was a certain gung-ho mood amongst the audience going into Katie Mitchell’s new production of Handel’s tragic oratorio “Theodora” at the Royal Opera House this week. The first performance of the work in Covent Garden for 272 years, in fact. {…}