Susan Graham, Sondra Radvanovsky & Lawrence Brownlee Among Soloists To Celebrate Renée Fleming In Chicago

The Lyric Opera of Chicago has announced the participation of several singers in the Renée Fleming 25th Anniversary Concert & Gala. The gala, which is set to honor and celebrate Fleming’s extraordinary commitment to Chicago and her unparalleled contributions to the art form, will see Sondra Radvanovsky, Susan Graham, Lawrence Brownlee, Quinn Kelsey, Željko Lučić, Eric Owens, and Christian Van Horn {…}

Washington National Opera 2017-18 Review – Don Carlo: Great Voices & A Brilliant, Fatalist Production Make Verdi Masterwork More Relevant Than Ever

It’s somewhat of a cliché for Golden Age thinking to creep into the dialogue of the opera world. How many times have you heard someone make the claim that they don’t make great voices the way they used to? The obvious answer is that they don’t because the world has changed and so have tastes. But sometimes, you’ll find those {…}

Evelyn Herlitzius, Nino Machaidze & Eric Owens Headline Dutch National Opera’s 2018-19 Season

The Dutch National Opera has announced its 2018-19 season featuring many operatic classics as well as rarely performed works. The company will continue its Opera Forward series as well as its Holland Festival, which concludes the season. Classics The Dutch National Opera opens its season with Mozart’s masterpiece “Die Zauberflöte” in Simon McBurney’s new production. Kathryn Lewek brings her compelling Queen {…}

Leah Crocetto, Lawrence Brownlee & Ailyn Pérez To Be Featured In LA Philharmonic’s 2018-19 Season

The LA Philharmonic has announced its 2018-19 season featuring some of the greatest stars in the world. For this season announcement, we will solely concentrate on the operatic and vocal events. Take a look. Baroque  The LA Phil kicks off its baroque series with “L’arpeggiata” featuring musical director Christina Pluhar, soprano Céline Scheen, male soprano Vincenzo Capezzuto, and dancer Anna Dego. The concert will {…}

Houston Grand Opera 2017-18 Review – The Barber of Seville: Laughs Not Up To Par In Uneven Production

Gioachino Rossini’s “The Barber of Seville” has always been the gold standard for Italian opera buffa as it is based on the Figaro plays of 18th-century French playwright Pierre Beaumarchais. It seems that the buffa-style laughs and gags endemic to this masterpiece were not enough for Spanish director Joan Font, whose version is currently running at Houston Grand Opera. What {…}