“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Jonathan Woody Allen’s {…}
“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Werner Herzog’s “Fitzcarraldo.” {…}
Two vastly different CDs come out this week. One comes from a violinist exploring operatic repertoire through diverse arrangements while the other one comes from a legendary singer who is considered the greatest in the history of opera. There is also one Mozart selection that will likely appeal to DVD collectors. Alexandre Da Costa Goes To The Opera The acclaimed {…}
Born on Feb. 25, 1873, Enrico Caruso was arguably the most important opera singer in the entire history of the art form. Maybe only Maria Callas rivals him in putting the art form into the collective consciousness of 20th century audiences. Caruso, who was beloved for his simple nature and brilliant voice, was a man capable of selling out any {…}
Puccini’s “Tosca” had its debut on Jan. 14, 1900. Since then it has been an instant classic, one of the staples of the operatic repertoire. All of the world’s greatest sopranos have taken their respective cracks at the role with Maria Callas, Renata Tebaldi, Leontyne Price and Eva Marton among some of the many popular exponents of the role. And {…}