Opera Meets Film: How Werner Herzog’s ‘Fitzcarraldo’ Frames Its Conflict With Enrico Caruso, Verdi & Bellini

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Werner Herzog’s “Fitzcarraldo.” {…}