Wexford Festival Opera announces it 2026 season. This article only features opera events. Main Stage Operas First up is Pietro Mascagni and Luigi Illica’s “FIris.” Rosetta Cucchi directs and Francesco Cilluffo conducts. Performance Dates: October 15, 20, 23, 28, & 31, 2026 “L’equivoco stravagante” by Gioachino Rossini and Gaetano Gasbarri is next. Max Hoehn directs. Riccardo Bisatti conducts. Performance Dates: October {…}
From September 21 to October 9, the Brussels opera house “La Monnaie” revived Laurent Pelly’s 2018 production of “Falstaff” at the Ópera Real in Madrid. Setting the drama in the present day, the French director successfully blends realism, comedy, and fantasy with constant inventiveness. There are dozens of inventive touches in the staging, and they never grow tiresome. From the {…}
Opera Carolina has announced its 2025-26 Season. The season opens with Pergolisi’s Stabat Mater performed in remembrance of the events of 9/11. Corey Lovelace and Leyla Martinucci star alongside the Charlotte Symphony Orchestra and conductor Emily Jarrell Urbanek. Performance Date: Sept. 11, 2025 “A Night To Remember” will feature music by Giacomo Puccini. This gala concert will be held at {…}
(Photo: Amati Bacciardi) This summer’s Rossini Opera Festival’s imaginative and fast-moving production of the composer’s 1813 comic opera, “L’Italiana in Algeri,” hit the mark in so many ways: it was funny, colorful and energetic; the cast were fully engaged with their characters, which they hammed up brilliantly for laughs; the underlying dynamics of the narrative were expertly handled by the {…}
The Teatro Carlo Felice has announced its 2025-26 season. Opera Mozart’s “Don Giovanni” will open the season, starring Simone Alberghini, Gurgen Baveyan, Desirée Rancatore, Irina Dubrovskaya, Ian Koziara, David Ferri Durà, Mattia Denti, Jennifer Holloway, Monica Zanettin, Giulio Mastrototaro, Bruno Taddia, Alex Martini, and Chiara Fiorani. Constantin Trinks conducts the production by Damiano Michieletto. Performance Dates: Oct. 3-12, 2025 Marta Torbidoni, {…}
The Maggio Musicale Fiorentino has announced a cast change for its production of “Aida.” The company said, “We inform the public that, due to the sudden unavailability of the artist Agnieszka Rehlis, the mezzo-soprano Daniela Barcellona will sing the role of Amneris for all the plays of ‘Aida.’” Barcellona has performed at the Metropolitan Opera, the Teatro alla Scala, Royal {…}
(Ph. Brescia – Amisano © Teatro alla Scala) In a suitcase–acquired expressly to transport it due to its weight and size–travels, rehearsal after rehearsal and performance after performance, the score of “Il nome della rosa,” weighing an impressive 15 kilograms. Yet the heft of this voluminous tome is not merely physical but also semiotic: it is the fruit of the {…}
Opera Carolina has unveiled its 2025-26 lineup, marking the first season under new management. “A Night to Remember” opens the season. The concert is presented in partnership with the Puccini Festival of Torre del Lago. Performance Date: November 1, 2025 The “9/11 Commemorative Concert” features a performance of Pergolesi’s “Stabat Mater.” Performance Date: September 11, 2025 A double bill of Puccini’s {…}
(Photo: ©E. Moreno Esquibel) The opera of Bilbao began the year 2025 with Wagner’s masterpiece “Tristan und Isolde,” in a new production recently seen at Teatro de la Maestranza in Sevilla, with an international cast of singers in the leading roles and a creative Spanish team signing the production. The production, by stage director and set designer Allex Aguilera, was {…}
The Teatro alla Scala has announced a cast change for Verdi’s Requiem on May 23, 2024. The company said that Daniela Barcellona will replace Aigul Akhmetshina, who is ill. In a statement via social media, Akhmeshina said, I’m sad to announce that I won’t be able to perform in Verdi’s Messa da Requiem in Milan due to health issues. It {…}
(Photo: Amati Bacciardi) Having just completed his opera “Ermione” for Naples in March 1819, Rossini was under pressure to meet the deadline for a new opera for Venice’s Teatro San Benedetto the following month. He quickly cobbled together numbers from at least four of his past operas: “Adelaide di Bogogna,” “Ricciardo e Zoriaide,” “Mosè in Egitto,” and “Ermione,” along with {…}