The Festival Perelada is set to present its 4th Easter Edition. The Festival opens with the revival of “Cristo condannato” by Antonio Caldara and Pietro Pariati. The cast includes Ana Quintans, Maite Beaumont, Nicolas Brooymans, Montserrat Seró, and Josep Ramon Olivé, accompanied by the Francesc Valls Choir, under the direction of Pere Lluís Biosca, who debuts at the festival as {…}
(Photo: Donal Hackett) Following a busy weekend of events that included recitals, concerts, a workshop and an opera, the Sligo Baroque Festival concluded with a concert dedicated to the music of Vivaldi at the city’s Cathedral of the Immaculate Conception in front of a packed audience. Entitled “Viva Vivaldi!,” the program included a number of orchestral and vocal works by the composer that culminated with a performance of his Gloria RV589. Dani {…}
(Photo: Anna Kolata) “Amadigi di Gaula” was from Händel’s early London period. Like the much more famous earlier “Rinaldo,” “Amadigi” is steeped in magic, passion, and deception—its narrative shaped by baroque fantasy and underpinned by musical material recycled from Händel’s years on the continent. It is therefore fitting that this 2024 production was revived for this year’s Händel Festival in {…}
Performing Baroque vocal music with only harpsichord accompaniment is an artistic act of the purest and most challenging kind. Stripped of the varied timbres and dynamics of an orchestra, both the singer and harpsichordist are placed under an intense spotlight. The harpsichordist must rely on their basso continuo skills and creativity to construct a dynamic foundation, while the singer, deprived {…}
