Four centuries after William Shakespeare imagined a night-time forest where desires dissolve into illusions, Benjamin Britten transformed that world into one of the most enigmatic operas of the 20th century. Now the work returns to the stage of Teatro Real in a new production by director Deborah Warner under the baton of conductor Ivor Bolton–a duo that has repeatedly shaped {…}
The Bayerische Staatsoper has announced its 2026-27 season. Premiere Productions The first production of the season will be Wagner’s “Siegfried” with Benjamin Bruns, Matthias Klink, Nicholas Brownlee, Georg Nigl, Timo Riihonen, Wiebke Lehmkuhl, Simone Schneider, and Miina-Liisa Värelä. Vladimir Jurowski conducts the production by Tobias Kratzer. Performance Dates: Oct. 29, 2026-July 29, 2027 Nadine Sierra and Lisette Oropesa alternate as {…}
(Photo: Fabrizio Sansoni) Rome’s Teatro dell’Opera opened its season with “Lohengrin,” last heard at the Teatro Costanzi a half century ago, in 1975. Once Wagner’s most popular opera in this country, it fell out of favor with the new dogma of presenting operas in their original language. Between 1933 and 1966, it was performed on average every other season. Then {…}
(Credit: Fabrizio Sansoni) On Nov. 27, Rai 5 will present the opening night of the Teatro dell’Opera di Roma’s 2025-2026 season. The season will open with Wagner’s “Lohengrin,” which returns to the Rome stage after a 50-year absence. The work will be transmitted on Rai Cultura and Rai 5 and will be conducted by Music Director Michele Mariotti and directed {…}
(Photo: © Monika Rittershaus) “Don Giovanni” is an opera of seductions and escapes, moral wreckage and divine retribution, a shimmering mosaic of comedy, tragedy, farce, and existential dread. Yet “the mother of all operas” is also a uniquely treacherous work—at once alluring and intractable, irresistibly open yet elusive. Music’s sublimity rarely fails to connect with audiences, even in a less-than-stellar {…}
The new Robert Icke staging of “Don Giovanni” might upset more than a few spirits. The scenic proposal is certainly disruptive, and its insistence on intervening digitally in the opera’s soundscape is the most acute symptom of “directivitis” (the terrible disease that has afflicted opera directors for the last seven decades). However, I really had a great time watching “Don {…}
The Tiroler Festspiel Erl Easter “Parsifal” was not, as some might have thought, Jonas Kaufmann’s “swan song,” either as Artistic Director or as Parsifal. Instead, the new production directed by Philipp M. Krenn, was replete with new directions, foci, trials and errors. A single lane swimming pool; a series of videos built around the landscape that housed the theater; a {…}
(Photo: Guergana Damianova) There is a question that has tormented opera fanatics for at least a century: how can opera go on? What sound represents the future of opera? While many, especially in the mid-20th century, leaned toward musicality that was either dramatically disruptive or staunchly conservative, Stravinsky forged a career where he managed to be both. In a world {…}
Photo credit: Agathe Poupeney-OnP Thomas Adès’s “The Exterminating Angel” is one of the most successful contemporary operas of the century. Beyond its many productions—the Parisian one being the best of them all—, the opera quickly entered the symphonic repertoire with a very well-crafted symphonic suite. The opera, based on Luís Buñuel’s homonymous film, follows its source material: more than a {…}
Photo: Bernd-Uhlig-OnP On Mar. 11, 2023, Paris Opera premiered a new production of Thomas’s “Hamlet” at the giant opera colosseum, La Bastille. “Hamlet” premiered at Paris Opera, then known as Académie Impériale de Musique, in 1868, with immense success. One year later, the opera was presented in London with an alternative ending where the hero, Hamlet, dies, changing Shakespeare’s original {…}
The Opéra National de Paris is set to showcase “Peter Grimes,” opening on January 26, 2023. The opera is directed by Deborah Warner, whose production premiered at the Teatro Real de Madrid in 2021. Conductor Alexander Soddy, who worked as the music director at the Nationaltheater Mannheim between 2016-22, will make his Paris Opera debut in the pit. Headlining the {…}
