Stephanie Blythe, Patricia Racette & Anthony Roth Costanzo Headline Opera Philadelphia’s 2018-19 Season

Opera Philadelphia has announced its 2018-19 season. The season will see the company continue to shape the future of opera. The 2018-2019 season will kick off on September 20-30 with the festival’s second edition, O18, comprising five operatic happenings – two world premieres, two new productions, and a three-part cabaret event – at multiple venues across the city. The season will {…}

Lyric Opera of Chicago 2017-18 Review – Faust: Frame’s Unique Concepts Combine With Glorious Singing From Ailyn Pérez & Ben Bernheim

There was much anticipation Saturday night for the opening of “Faust” at Lyric Opera of Chicago in a new co-production with the Portland Opera. It’s certain that Gounod’s tale of the title character making a deal with the devil has never been told this way. There’s probably a clear dividing line on this production. If you prefer a grand opera {…}

Metropolitan Opera 2017-18 Review – The Exterminating Angel: Thomas Adès Opera May Prove Polarizing Emotionally

Luis Buñuel’s “The Exterminating Angel” is one of the iconic surrealist masterpieces of all cinema. Set at an upper-class dinner, the film analyzes how people revert to their basest of instincts when they get stuck in a room that they inexplicably cannot escape. The film succeeds in its ability to blend the normal with the unreal in rather claustrophobic fashion, {…}

Metropolitan Opera 2016-17 Review – La Bohème: This Is No Routine Production As Fabiano, Pérez & Co. Deliver Vivacity to Powerful Tragedy

This review is for the performance on Wednesday January 11 and is written jointly by David & Francisco Salazar. Applause rang from every corner of the Metropolitan Opera, the audience awaiting the final performer to step onstage so that she too could get her accolades. The moment Ailyn Pérez walked out of the iconic golden curtain, she was not only {…}