(Photo: Ilenia Brunelli) This summer’s Ravenna Festival saw the premiere of Danilo Comitini and Francesca Masi’s opera “Dilexi”, based on the life of the Roman Empress Galla Placidia. A success in its own right, the opera also showcased the talents of the young soprano Laura Zecchini, who is still completing her master’s degree at the Cesena Conservatory. Notwithstanding her limited {…}
(Photo credit: © Wibmer) The Pietro Antonio Cesti Competition is a major annual highlight in the world of baroque opera that takes place at the Innsbruck Festival of Early Music, featuring young baroque singers from all over the world. This year’s competition was full of exciting and inspiring moments that OperaWire had the honor of experiencing live. The audience {…}
The story of how Accademia Bizantina (AB) began seems quite simple. But like all good stories, there is more to it than meets the eye. In 1983 three classmates of the Ravenna Conservatory met for coffee. This initial meeting included Angelo Nicastro, a violist and now director of the Ravenna Festival; Romano Valentini, a pianist, organist, and harpsichordist, as well {…}
Programming for the 2024 Innsbruck Festival of Early Music has been announced. This article only features vocal performances. First up is a workshop for the upcoming performances of Giacomelli’s “Cesare in Egitto.” Soloists include Arianna Vendittelli, Emőke Barath, Filippo Mineccia, Margherita Maria Sala, Valerio Contaldo, and Federico Fiorio. Ottavio Dantone conducts the Accademia Bizantina. Performance Date: July 27, 2024 (Tyrolean {…}
(Photo: Die Fotografen) The Innsbruck Early Music Festival’s Cesti Competition, now in its 13th year, continues to cement its standing as a prestige international singing competition for baroque specialists. The final, which took place in Innsbruck’s Haus der Musik in front of an enthusiastic audience, consisted of 10 singers from six countries, comprising two countertenors, five sopranos, two tenors and {…}
(Photos: Celina Friedrichs) When Alessandro De Marchi took up his post as Artistic Director of Innsbruck’s Early Music Festival one of his first innovations was to introduce the “Cesti Competition,” with the aim of promoting the profile of, and opportunities for, young singers specializing in the baroque. Now in its tenth year, the competition’s status on the international stage is {…}