Opera Meets Film: How the ‘Cavalleria Rusticana’ Intermezzo Contextualizes & Creates Character in ‘Raging Bull’

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Martin Scorcese’s “Raging {…}

La Monnaie’s 2017-18 Season Features 8 Opera Productions, Recitals By Dessay, Keenlyside & Degout Among Others

La Monnaie announced its 2017-18 season last week. As always, it features a plethora of offerings across opera, ballet, concert and chamber music. Let’s take a look at the offerings for opera lovers. Philippe Boesmans’ “Pinocchio” opens on Sept. 9, 2017, with Stéphane Degout leading the cast. Rossini’s “Tancredi” will appear for just two concert performances on October 11 and {…}

Teatro Comunale di Bologna 2017 Review – La Voix Humaine & Cavalleria Rusticana: Anna Caterina Antonacci Sets Tone For Fantastic Double Bill

Where one would expect the operatic double bill of “Cavalleria Rusticana” and “Pagliacci,” Teatro Comunale di Bologna instead opened last night’s double bill with Poulenc’s “La Voix Humaine” and Mascagni’s ever-famous verismo opera, “Cavalleria Rusticana,” appropriately placed with the approaching Easter season. La Voix Humaine “Voix Humaine,” set to music from Cocteau’s play of the same name, is described as {…}