The Carlisle Floyd Centennial initiative will celebrate the famed composer’s 100th birthday during the 2026-27 season. Floyd was born on June 11, 1926 and passed away in 2021, leaving behind a major legacy of American opera. Among his most renowned works are “Susannah,” “Of Mice and Men,” and “Cold Sassy Tree.” The celebration will feature partnerships with such organizations as {…}
The Houston Grand Opera is set to celebrate composer Carlisle Floyd in a memorial concert on February 11, 2022. The showcase, which will also be live streamed via HGO Digital, will feature selections from some of his most notable operas including “Susannah,” “Of Mice and Men,” and “Cold Sassy Tree.” Patrick Summers will conduct the performance, which will include the {…}
Famed composer Carlisle Floyd, who was considered one of the greatest American opera composers in history, has died at the age of 95. Born on June 11, 1926, in Latta, South Carolina, he was the son of a Methodist minister. He began his musical studies in 1943 when he entered Converse College in Spartanburg, South Carolina, and studied piano under {…}
As the Metropolitan Opera company’s Summer Recital Series rolls on, the artists and crew took to Williamsbridge Oval Park in the Bronx for an afternoon of arias, duets, and a trio from some of opera’s most cherished composers. Kicking things off was tenor Gerard Schneider, singing “Questa o quella” from Verdi’s “Rigoletto.” This amorous aria made for a spirited opening, {…}
Many American composers have tried to create “The Next Great American Opera,” but few have succeeded in doing just that. Carlisle Floyd, born on June 11, 1926, did just that. The composer has quite a number of operas to his name, but none stands the test of time quite like “Susannah.” Floyd grew up in South Carolina, eventually moving to {…}
Carlisle Floyd’s “Prince of Players” is coming to New York at the little Opera theater of ny (LOTNY) this February at Hunter College. The work follows Edward Kynaston, a famous Shakespearean actor who is know for taking on female roles in the Bard’s plays during the 17th Century. However, when King Charles II allows women to perform and forbids men {…}