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Interviews, Stage Spotlight

Q & A: Will Liverman On His Debut Album ‘Whither Must I Wander’ & the Challenges of Making An Independent Recording

https://operawire.com/q-a-will-liverman-on-his-debut-album-whither-must-i-wander-the-challenges-of-making-an-independent-recording/

(Credit: S. Richards) The album has always been a touchstone of any musician. It is an opportunity to preserve an artistic development and legacy in a manner that enables listeners of the past and present to connect with the artist in an intimate way. In the past, major recording companies dominated the industry, proving to be the gatekeepers of which {…}

Artist of the Week, Special Features

Artist Of The Week: Brenda Rae

https://operawire.com/artist-of-the-week-brenda-rae/

(Credit: Marty Sohl/Met Opera) The Metropolitan Opera House is a dream for every opera singer. This week acclaimed coloratura soprano and rising star Brenda Rae will get a chance to realize that very dream when she makes her Met debut in the company’s first-ever production of Handel and Grimani’s “Agrippina.” Rae, who is a former ensemble member of Oper Frankfurt {…}

News

Mezzo-soprano Emily D’Angelo Wins Major Prize From Lincoln Center

https://operawire.com/mezzo-soprano-emily-dangelo-wins-major-prize-from-lincoln-center/

(Credit: Daniel Denino) Lincoln Center has announced its 2020 Emerging Artist Award Winners, all of whom will be honored on Feb. 26, 2020 at Alice Tully Hall. The talents represent a wide array of different artistic discipline, including film, music, dance, composition, among others. In the opera world, mezzo-soprano Emily D’Angelo was selected to represent the Metropolitan Opera. The Canadian-Italian {…}

News

Kathryn Lewek Makes Statement Regarding Body Shaming By Journalists

https://operawire.com/kathryn-lewek-calls-out-journalists-for-fat-shaming/

Kathryn Lewek is calling out journalists for fat-shaming. After a critic slammed Lewek for her postpartum physique, the soprano is calling on critics to stop harassing singers for their bodies. In a statement via social media, the soprano opted to tell her story and how the criticism affected her. She said, “Body shaming is not new, nor is the fight {…}

Interviews, Stage Spotlight

Q & A: Soprano Sydney Mancasola On ‘Breaking The Waves’ & Its European Premiere In Edinburgh

https://operawire.com/q-a-soprano-sydney-mancasola-on-breaking-the-waves-its-european-premiere-in-edinburgh/

When “Breaking the Waves” made its world premiere in  2016 at Opera Philadelphia, it became a critical darling and won the inaugural Best New Opera Award from the Music Critics Association of North America. The work was also shortlisted for “Best World Premiere” Prize at the International Opera Awards. Since then, this opera has been performed at the Prototype Festival and will {…}

News

Yannick Nézet-Séguin Leads Philadelphia Orchestra’s 2019-20 Season

https://operawire.com/yannick-nezet-seguin-leads-philadelphia-orchestras-2019-20-season/

The Philadelphia Orchestra has announced its 2019-20 season with Yannick Nézet-Séguin celebrating his eighth season as music director. Here is a look at the vocal highlights for the orchestra next season. Nézet-Séguin and the Fabulous Philadelphians launch the 120th season with an Opening Night Concert and Gala featuring legendary opera singer Plácido Domingo. The evening, which marks the start of Nézet-Séguin’s {…}

Interviews, Stage Spotlight

Interview: Soprano Erin Morley’s Enriching Work-Life Balance

https://operawire.com/interview-soprano-erin-morleys-enriching-work-life-balance/

Soprano Erin Morley is one of opera’s most sought-after lyric coloraturas, having wowed audiences and critics alike in such quintessential coloratura roles as Zerbinetta in “Ariadne auf Naxos,” Sophie in “Der Rosenkavalier,” Cunegonde in “Candide,” and, Olympia in “Les Contes d’Hoffmann.” In early January, the Salt Lake City native finished her debut run as Pamina in “The Magic Flute” at {…}