Opera Meets Film: How ‘Colette’s’ Use of Bizet & Gounod Toys With Audience Expectations

https://operawire.com/opera-meets-film-how-colettes-use-of-bizet-gounod-toys-with-audience-expectations/

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Wash Westlemoreland’s “Colette.” {…}

News

Osvaldo Golijov’s ‘Ayre’ To Launch Against The Grain Records

https://operawire.com/osvaldo-golijovs-ayre-to-launch-against-the-grain-records/

Against The Grain Theatre is set to launch its new in-house recording label with a new recording of Osvaldo Golijov’s song cycle “Ayre” this December. The piece, written by the Romanian Jew born in Argentina, blends traditional and electronic instruments with elements of Byzantine chant, Sephardic lullabies, Sardinian protest songs, and Arabic, Hebrew, and Christian texts. The piece is set {…}

News

Anna Netrebko, Cecilia Bartoli & Placido Domingo Headline 2019 Salzburg Festival

https://operawire.com/anna-netrebko-cecilia-bartoli-placido-domingo-headline-2019-salzburg-festival/

The Salzburg Festival has announced it 2019 season with five new productions, two revivals, and two concert operas. Here is a look at what audiences can expect this season. Productions The 2019 Salzburg Festival opens with Mozart’s “Idomeneo.” Teodor Currentzis and Peter Sellars team up again after “La Clemenza di Tito” with a cast that includes Russell Thomas (Idomeneo), Paula Murrihy {…}

News

Opera Naples Announces Casting For ‘Aida’

https://operawire.com/opera-naples-announces-casting-for-aida/

Opera Naples has announced the cast for its upcoming production of Verdi’s “Aida.” The production will feature internationally renowned conductor Ramón Tebar, Stage Director Chuck Hudson, and an international cast that includes soprano Svetlana Aksenova in the title role, Marianne Cornetti as Amneris, and Gordon Hawkins as Amonasro. In a press statement, Tebar noted, “I’m so excited to present, for the first {…}

News

Jennifer Johnson Cano To Be Featured In Anna Netrebko’s Recital

https://operawire.com/jennifer-johnson-cano-to-be-featured-in-anna-netrebkos-recital/

Jennifer Johnson Cano is set to perform on Anna Netrebko’s upcoming recitals. The mezzo-soprano announced via Twitter that she would be joining Netrebko in two duets for her recitals at the Lyric Opera of Chicago and Carnegie Hall. According to the program the two duets will be the Barcarolle from “Les Contes d’Hoffmann” and the Act One duet from “The Queen of {…}

Interviews, Stage Spotlight

Q & A: Soprano Mary Dunleavy On ‘Dinner At Eight,’ Critics & More Strauss

https://operawire.com/q-a-soprano-mary-dunleavy-on-dinner-at-eight-critics-more-strauss/

This year, Wexford Festival Opera presented the European premiere of William Bolcom and Mark Campbell’s opera “Dinner at Eight,” an operatic version of the stage play and Hollywood film of the same name. At the center of the opera is Millicent Jordan, who was portrayed in this version by soprano Mary Dunleavy. The American soprano has sung all over the {…}

News

Welsh National Opera Announces Freedom Season Featuring Jake Heggie & Menotti

https://operawire.com/welsh-national-opera-announces-freedom-season-featuring-jake-heggie-menotti/

The Welsh National Opera has announced “Freedom,” a season of operatic works with complementary panel discussions, talks, community engagement and an exhibition of immersive reality artwork exploring the themes of human rights, justice, and political imprisonment. Curated by Artistic Director David Pountney, the season is set to present every element of the performing company from the WNO Chorus and Orchestra through {…}

Reviews, Stage Reviews

Carnegie Hall 2018-19 Season Review: Leah Crocetto In Recital

https://operawire.com/carnegie-hall-2018-19-season-review-leah-crocetto-in-recital/

On Thursday, November 8, 2018, soprano Leah Crocetto made her Carnegie Hall debut with a diverse program of songs old and new, beloved and obscure. Among these were works from Ottorino Resphigi, Francois Poulenc, Sergei Rachmaninoff, Richard Rodgers, George Gershwin, and more. Joined by the sensational accompaniment of pianist Mark Markham, Crocetto’s performance made for a stunning showcase of her {…}

Reviews, Stage Reviews

Arizona Opera 2018-19 Review: Charlie Parker’s Yardbird

https://operawire.com/arizona-opera-2018-19-review-charlie-parkers-yardbird/

“Charlie Parker’s Yardbird” features music by saxophone virtuoso Daniel Schnyder and a libretto by playwright Bridgette A. Wimberly. Since it premiered in 2015 at Opera Philadelphia, several the work has premiered with a number of companies, including the Lyric Opera of Chicago and the English National Opera. Perhaps the most interesting locale for “Yardbird” was its presentation at Harlem’s Apollo Theatre {…}

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Opera Meets Film: How ‘Colette’s’ Use of Bizet & Gounod Toys With Audience Expectations

Osvaldo Golijov’s ‘Ayre’ To Launch Against The Grain Records

Anna Netrebko, Cecilia Bartoli & Placido Domingo Headline 2019 Salzburg Festival

Opera Naples Announces Casting For ‘Aida’

Jennifer Johnson Cano To Be Featured In Anna Netrebko’s Recital

Q & A: Soprano Mary Dunleavy On ‘Dinner At Eight,’ Critics & More Strauss

Welsh National Opera Announces Freedom Season Featuring Jake Heggie & Menotti

Carnegie Hall 2018-19 Season Review: Leah Crocetto In Recital

Arizona Opera 2018-19 Review: Charlie Parker’s Yardbird