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News

Winners of 9th Leyla Gencer Voice Competition Announced

https://operawire.com/winners-of-9th-leyla-gencer-voice-competition-announced/

Turkish mezzo Ezgi Karakaya is the winner of the ninth annual Leyla Gencer Voice Competition. She also took home the audience award. The second place winner was German-Italian mezzo Anna Doris Capitelli with Polish tenor Piotr Buszewski coming in third place. Karakaya walks away with a 12,500 euro prize while Doris gets 7,500 euros and Buszewski wins 3,500 euros. It {…}

IndieOpera

New Off-Broadway Play ‘My Parsifal Conductor’ Set For World Premiere

https://operawire.com/new-off-broadway-play-my-parsifal-conductor-set-for-world-premiere/

Richard Wagner’s anti-semitism is one of the defining characteristics of the legendary composer. And now it is being taken to task in an off-Broadway play asThe Directors Company gets ready to showcase the world premiere of “My Parsifal Conductor” by Alan Leicht. Previews for the show are currently underway, but Opening Night is slated for Oct. 11, 2018 with performances {…}

News

Wexford Festival Makes Major Announcements Ahead of 2018 Edition

https://operawire.com/wexford-festival-makes-major-announcements-ahead-of-2018-edition/

The Wexford Festival, which kicks off in less than a month, has made some important announcements regarding changes to its slate. The company has announced that Japanese soprano Yasko Sato has replaced Clarissa Costanzo in “Il Bravo” by Mercadante. She will sing the role of Teodora. Moreover, Leslie Dala is set to conduct Vivaldi’s “The Four Seasons” as re-composed by {…}

News

Top 6 Operas To See This Weekend – North America (9/28-30)

https://operawire.com/top-6-operas-to-see-this-weekend-north-america-9-28-30/

The opera season is up and running. Don’t believe me? Well just take a look at the over one-dozen companies that are putting on productions this weekend. Here are our major picks for this busy weekend, which marries new works with classic repertoire (in alphabetical order by company). Maria de Buenos Aires – Arizona Opera Piazzolla’s opera has arguably never {…}

Reviews, Stage Reviews

Metropolitan Opera 2018-19 Review: La Bohème

https://operawire.com/metropolitan-opera-2018-19-review-la-boheme/

Following a mixed premiere of “Samson et Delila,” the second evening of the Metropolitan Opera’s 2018-19 season saw a far more conventional and beloved work being performed, Puccini’s “La Bohème.” This opera is, unsurprisingly, the most performed of the company’s history, and that experience made itself clear throughout the night. Strong Debutante Making her debut with the company was Nicole {…}

News

Metropolitan Opera National Council Auditions Launch 2019 Competition

https://operawire.com/metropolitan-opera-national-council-auditions-launch-2019-competition/

The Metropolitan Opera National Council Auditions has launched its 65th annual program. According to a press release, young opera singers from across the United States, Canada, Puerto Rico, and for the first time, Mexico, will compete for $15,000 cash prizes and the opportunity to launch major operatic careers. Over 1,000 singers between the ages of 20 and 30 will participate {…}

Opera Meets Film, Special Features

Opera Meets Film: How Pedro Almodovar Establishes Theme in ‘Talk To Her’ Through Henry Purcell’s ‘O, Let Me Forever Weep’

https://operawire.com/opera-meets-film-how-pedro-almodovar-establishes-theme-in-talk-to-her-through-henry-purcells-o-let-me-forever-weep/

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Pedro Almodovar’s masterpiece {…}