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Stephanie Blythe, Patricia Racette & Anthony Roth Costanzo Headline Opera Philadelphia’s 2018-19 Season

https://operawire.com/stephanie-blythe-patricia-racette-anthony-roth-costanzo-headline-opera-philadelphias-2018-19-season/

Opera Philadelphia has announced its 2018-19 season. The season will see the company continue to shape the future of opera. The 2018-2019 season will kick off on September 20-30 with the festival’s second edition, O18, comprising five operatic happenings – two world premieres, two new productions, and a three-part cabaret event – at multiple venues across the city. The season will {…}
News

Austin Opera 2018-19 Season To Feature Marina Costa-Jackson, Kang Wang, & More

https://operawire.com/austin-opera-2018-19-season-to-feature-marina-costa-jackson-kang-wang-more/

The Austin Opera has announced its 2018-19 season, which will feature four major operas spread between November 2018 and May 2019. The season opens with Verdi’s “Otello,” the first time the opera will be showcased with the company in 20 years. Issachah Savage takes on the iconic tenor role while Marina Costa-Jackson interprets his wife desdemona. Michael Chioldi rounds out {…}
News

Everything You Need to Know About the Washington National Opera’s 2017-18 Season

https://operawire.com/6-operas-headline-washington-national-opera-2017-18-season/

The Washington National Opera has just announced its 2017-18 season. Aida The company will kick off the year with a new production of Verdi’s “Aida.” Directed by Francesca Zambello, the new production will be co-produced with San Francisco Opera, Seattle Opera, and Minnesota Opera. The opening performance takes place on Sept. 9 and the run lasts until Sept. 23, a {…}
Reviews, Stage Reviews

Metropolitan Opera 2025-26 Review: Carmen

https://operawire.com/metropolitan-opera-2025-26-review-carmen/

(Photo: Evan Zimmerman) The Metropolitan Opera’s season premiere of Carrie Cracknell’s revived production of Georges Bizet’s “Carmen” debuted on October 28, 2025 with a stellar cast lineup including Isabel Leonard, Kristina Mkhitaryan, Michael Fabiano, Benjamin Taylor, Scott Conner, Madison Leonard, Briana Hunter, Adam Plachetka, Michael Adams, and Aaron Blake. The original debut of this production took place during the 2023-24 {…}
Reviews, Stage Reviews

Opera Forward Festival 2024 Review: The Shell Trial

https://operawire.com/opera-forward-festival-2024-review-the-shell-trial/

(Photo: Marco Borggreve) In 2021, a court in The Hague ordered the giant oil company Shell to cut its CO2 emissions by 45% by 2030 relative to its 2019 levels. The case had been brought by Dutch environmental groups concerned by the company’s flagrant disregard for the damage their emissions were doing to the planet’s climate; recent research has shown {…}
News

Victory Hall Opera Releases 2024 Season Highlights

https://operawire.com/victory-hall-opera-releases-2024-season-highlights/

Victory Hall Opera has released details of its 2024 season. The company’s ninth season starts off with an open casting call for the chief subjects/co-creators of YAPs, for its new documentary film “YAPs.” The film release is planned for 2025. “SOUNDFLIGHT 3” stars soprano Sarah Wolfson and tenor Victor Ryan Robertson. They are to perform a program of operatic, popular, {…}
Reviews, Stage Reviews

Atlanta Opera 2023-24 Review: The Shining

https://operawire.com/atlanta-opera-2023-24-review-the-shining/

(Photo credit: Raftermen/courtesy of The Atlanta Opera) Atlanta Opera gave a skillful East Coast premiere of Paul Moravec and Mark Campbell’s “The Shining.” As most are familiar with the plot of Stephen King’s 1977 novel, “The Shining,” from the 1980 Stanley Kubrick film, I will not recount the storyline. However, it is important to mention the operatic version is based {…}
Reviews, Stage Reviews

San Francisco Opera 2023-24 Review: ‘The (R)evolution of Steve Jobs’

https://operawire.com/san-francisco-opera-2023-review-the-revolution-of-steve-jobs/

Steve Jobs forever changed the world of communications. The opera, “The (R)evolution of Steve Jobs,” composed by Mason Bates with libretto by Mark Campbell, opened at the San Francisco War Memorial Opera House and brought the story of how Jobs gave birth to the computer with panache. Although the opera’s premiere occurred in Santa Fe in 2017, and was the {…}
Editorials, Reviews

Criticism on Fridays: Theatres vs. States

https://operawire.com/criticism-on-fridays-theatres-vs-states/

As if the war tearing Europe apart was not enough, in the last weeks, the theatres of the continent seem to show us how unfriendly and deeply political our industry is. In several areas, quite irrespectively and for various reasons (worthy or not), the state authorities interfere in the affairs of theaters.  Lithuanian National Opera workers are still protesting against {…}

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