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The Welsh National Opera To World Premiere ‘Rhonda Rips It Up!’

https://operawire.com/the-welsh-national-opera-to-world-premiere-rhonda-rips-it-up/

The Welsh National Opera has announced the world premiere of “Rhonda Rips It Up!” The new work, commissioned for the company, has been billed as “unlike anything previously presented by WNO.” The production will tell the story of the remarkable suffragette, Margaret Haig Thomas, who tirelessly campaigned for equal rights for women. The show will premiere in Haig Thomas’s hometown {…}
News

Sonya Yoncheva, Valery Gergiev & Gerald Finley To Be Featured At The Philharmonie De Paris’s 2018-19 Season

https://operawire.com/sonya-yoncheva-valery-gergiev-gerald-finley-to-be-featured-at-the-philharmonie-de-pariss-2018-19-season/

The Philharmonie de Paris has announced its 2018-19 season filled with numerous concerts and operatic selections. The season will see a number of international stars and orchestras as guest artists to this important Parisian hall. Here is a look at the vocal highlights. Valery Gergiev and the Mariinsky Orchestra continue their exploration of the Ring Cycle with “Siegfried.” The opera {…}
Special Features

March Madness Part 1: The Top Five Mad Scenes In Opera

https://operawire.com/march-madness-part-1-the-top-five-mad-scenes-in-opera/

It’s officially the month of March Madness and to celebrate the month which will see “Elektra” and “Lucia di Lammermoor” open at the Metropolitan Opera, OperaWire will be writing a weekly article on our favorite mad scenes, favorite interpretations of mad scenes and some of the most iconic performances of mad scenes. Lucia di Lammermoor-“Il Dolce Suono”  Donizetti’s mad scene {…}
Reviews, Stage Reviews

Washington National Opera 2017-18 Review – Don Carlo: Great Voices & A Brilliant, Fatalist Production Make Verdi Masterwork More Relevant Than Ever

https://operawire.com/washington-national-opera-2017-18-review-don-carlo-great-voices-a-brilliant-fatalist-production-make-verdi-masterwork-more-relevant-than-ever/

It’s somewhat of a cliché for Golden Age thinking to creep into the dialogue of the opera world. How many times have you heard someone make the claim that they don’t make great voices the way they used to? The obvious answer is that they don’t because the world has changed and so have tastes. But sometimes, you’ll find those {…}
Reviews, Stage Reviews

Canadian Opera Company 2017-18 Review – The Abduction From the Seraglio: Revisions to Libretto Don’t Feel All That Necessary

https://operawire.com/canadian-opera-company-2017-18-review-the-abduction-from-the-seraglio-revisions-to-libretto-dont-feel-all-that-necessary/

Purists fear not. Rest easy, ye who learned with alarm that writer/director Wajdi Mouawad has taken extreme liberties with the libretto of Mozart’s early masterpiece, “The Abduction from the Seraglio,” not just tinkering with dialogue but inserting whole new scenes to both accentuate European racism and sexism and soften Ottoman despotism: not a note of Mozart’s divine magic has been {…}
News

Top 5 Must-See Performances of The Lyric Opera of Chicago’s 2018-19 Season

https://operawire.com/top-5-must-see-performances-of-the-lyric-opera-of-chicagos-2018-19-season/

The 2018-19 season at the Lyric Opera of Chicago is going to be a lot of fun. The company will be showcasing quite a number of new productions and bringing in some major stars for returns or debuts with the company. Let’s look at the top five performers that excite us most in this upcoming season. Anna Netrebko The Russian {…}
Interviews, Stage Spotlight

Striking a Balance – Luca Pisaroni On His Traveling Family, His Learning Process & His Favorite Mozart Roles

https://operawire.com/striking-a-balance-luca-pisaroni-on-his-traveling-family-his-learning-process-his-favorite-mozart-roles/

Being one of the most in-demand artists around is never easy. But Luca Pisaroni has found a way to balance his professional and his personal life in a way that the two work together. In a recent interview with OperaWire, the bass commented on his lifestyle, his approach to learning new roles, and his reinterpretation of old ones. Always at {…}
Reviews

San Francisco Opera 2017-18 Review – Turandot: Exquisite Nina Stemme, Leah Crocetto, Brian Jagde Lead Socially Relevant Interpretation of Puccini Masterwork

https://operawire.com/san-francisco-opera-2017-18-review-turandot-exquisite-nina-stemme-leah-crocetto-brian-jagde-lead-socially-relevant-interpretation-of-puccini-masterwork/

To wait for one whole act, plus a quarter of a second, just to glimpse the heroine, let alone hear her, is practically a crime. Especially, with all the talk. From the moment the curtain rises, what do we hear? Turandot, Turandot, Turandot. And so, where is she? On and on, troops of “the people” – boy chorus, various authorities {…}

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