
Festival d’Aix-en-Provence 2024 Review: La Clemenza di Tito
https://operawire.com/festival-daix-en-provence-2024-review-la-clemenza-di-tito/
(Credit: Vincent Beaume) We are in the middle of Sesto’s aria “Parto, Parto,” mezzo-soprano Marianne Crebassa sharing center stage with excellent clarinetist Nicola Boud, when we hear an explosion. As a long-time resident of the United States, my first thoughts were the most dreadful—gunshots, bomb, the apocalypse. Raphäel Pichon peacefully kept conducting, with longer pauses, perhaps, but, as the fear {…}








