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Opera Meets Film, Special Features

Opera Meets Film: ‘The Godfather: Part III’s’ Operatic Structure As Reflected Through ‘Cavalleria Rusticana’

https://operawire.com/opera-meets-film-the-godfather-part-iiis-operatic-structure-as-reflected-through-cavalleria-rusticana/

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Francis Ford Coppola’s {…}

News

Breaking: Diana Damrau & Olga Pudova Replace Aleksandra Kurzak At The Bayerische Staatsoper

https://operawire.com/breaking-diana-damrau-olga-pudova-replace-aleksandra-kurzak-at-the-bayerische-staatsoper/

Aleksandra Kurzak has canceled her participation at the Bayerische Staatsoper’s performances of Offenbach’s “Les Contes d’Hoffmann.” The soprano will be replaced by Diana Damrau and Olga Pudova. Damrau will sing the roles of Stella, Giulietta, and Antonia while Pudova will be performing Olympia. Damrau opened the Richard Jones’ production back in 2011 singing all four roles with Rolando Villazon. She {…}

News

Social Media Beat (Week 7/14-20): A Look At Festival Season

https://operawire.com/social-media-beat-week-714-20-a-look-at-festival-season/

It’s festival season and some of the biggest stars are preparing for their upcoming performances or ending their 2016-17 season. Check out what some of your favorite stars have been up to. Anna Netrebko gave a sneak peek into rehearsals of Aida. In one of her pictures, flashes of the production were visible with chorus members littering the stage. The {…}

Special Features

LGBT Opera Retrospective: How Similar Is The Opera World To Hollywood In Terms of Representation?

https://operawire.com/lgbt-opera-retrospective-how-similar-is-the-opera-world-to-hollywood-in-terms-of-representation/

Over the past years, the movie industry has been calling for more diversity in its films due to a lack fo representation. That representation has slowly been increasing and it was seen this year when the Academy decided to invite more minorities to its organization. However, in a recent study that GLAAD released, it was evident that the progress has {…}

Reviews, Stage Reviews

Prague National Opera 2017 Review – Aida: An Incoherent Production With a Farcical Ballet & Underwhelming Singing

https://operawire.com/prague-national-opera-2017-review-aida-an-incoherent-production-with-a-farcical-ballet-underwhelming-singing/

“Aida” is one of the most complex operas in the repertory as it has demanding music that requires singers with immense voices that can also create riveting portrayals of deeply emotional and complex beings. However, it seems like most opera companies nowadays use this opera as a fan favorite and present it in routine productions that look like they are {…}

Reviews, Stage Reviews

Opéra de Lausanne 2016-17 Review – Don Giovanni: A Decadent Interpretation Ends a Successful Season

https://operawire.com/opera-de-lausanne-2016-17-review-don-giovanni-a-decadent-interpretation-ends-a-successful-season/

The flamboyant new production of Mozart’s “Don Giovanni,” a drama giocoso in two acts, was the brilliant ending of the 2016/2017 season of the Opéra de Lausanne. This was a remarkable event for the town, located in the French-speaking part of Switzerland on the picturesque shore of Lake Léman also known as Lake Geneva. Despite being one of the world’s {…}

News

NYC Opera Shows Even Greater Support For LGBT Community With Pride Parade

https://operawire.com/nyc-opera-shows-even-greater-support-for-lgbt-community-with-pride-parade/

The New York City Opera wants you to march with the organization on Sunday, June 25, 2017, as part of the Pride Parade. The organization posted an event on Facebook open to everyone interested in participating. The event is slated to take place between 12 p.m. EDT and 10 p.m. EDT, according to the page. “New York City Opera artists, {…}

Opera Wiki

Opera Profile: Verdi’s ‘I Vespri Siciliani’

https://operawire.com/opera-profile-verdis-i-vespri-siciliani/

Verdi’s “I Vespri Siciliani” is something of an oddity. Composed on the heels of his famous trilogy of “Rigoletto,” “Il Trovatore,” and “La Traviata,” and with a premiere on June 13, 1855, one might have expected that the composer would have up the ante. “Verdi” was excited about the possibility of conquering Paris after coming into such massive artistic maturity, {…}

Special Features

Opera vs. Broadway: The Contrasting Styles of ‘Madama Butterfly’ & Its Revival As ‘Miss Saigon’

https://operawire.com/opera-vs-broadway-the-constrasting-styles-of-madama-butterfly-its-revival-as-miss-saigon/

In Collaboration with Francisco Salazar Inside the plainly named Broadway Theater, one of Broadway’s largest houses with 1,765 seats, a wall of wood scaffolding and wood poles obscures the stage in place of the would-be curtain. The screens of wooden slats bleed seamlessly into stairways patched with corrugated metal, extending beyond the proscenium. This apparent slum, which is lit with {…}