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Interviews, Stage Spotlight

Q & A: Bass Maurizio Muraro On Working With Young Stars & His Favorite Roles

https://operawire.com/q-a-bass-maurizio-muraro-on-working-with-young-stars-his-favorite-roles/

(Credit: © ROH Photographer: CLIVE BARDA) The influx of new and younger opera stars is always a major touchstone of the art form across generations. But the old guard is a key part of their development, presenting a gateway between traditions of the past and today’s trends. Italian bass Maurizio Muraro loves being a part of this bridge. He has {…}
Interviews, Stage Spotlight

Q & A: Craig Colclough On His Metropolitan Opera Debut & Singing ‘Macbeth’

https://operawire.com/q-a-craig-colclough-on-his-metropolitan-opera-debut-singing-macbeth/

Those following the opera world and its biggest news items know what happened on Sept. 28, 2019. In the midst of a tumultous week in which the Met Opera’s “Macbeth” featured major cast turnover, there was still one big twist set to take place without much audience anticipation – a new baritone was to make a surprising debut in the {…}
Reviews, Stage Reviews

Metropolitan Opera 2019-20 Review: Porgy and Bess

https://operawire.com/metropolitan-opera-2019-20-review-porgy-and-bess/

While the environment outside the Met Opera on opening night was rather subdued in comparison to previous years, there could be no denying the environment inside of the sold-out house. Everywhere you turned, the opera on hand was a major topic of conversation with great excitement over what it might bring. The Gershwin classic, “Porgy and Bess,” hasn’t been at {…}
Reviews, Stage Reviews

Wiener Staatsoper 2019-20 Review: Don Carlo

https://operawire.com/wiener-staatsoper-2019-20-review-don-carlo/

 (Credits: Wiener Staatsoper / Michael Pöhn) Verdi’s “Don Carlo” is one of the staples of the repertoire, best-known for its lush ensembles, vocal writing, and impactful drama. It requires six of the greatest voices in the opera world and also requires a conductor who knows how to pace the evening; both are essential to fulfill the work’s masterful potential. On {…}
News

Kathryn Lewek Makes Statement Regarding Body Shaming By Journalists

https://operawire.com/kathryn-lewek-calls-out-journalists-for-fat-shaming/

Kathryn Lewek is calling out journalists for fat-shaming. After a critic slammed Lewek for her postpartum physique, the soprano is calling on critics to stop harassing singers for their bodies. In a statement via social media, the soprano opted to tell her story and how the criticism affected her. She said, “Body shaming is not new, nor is the fight {…}
Reviews, Stage Reviews

Midsummer Vilnius 2019 Review: Asmik Grigorian in concert

https://operawire.com/midsummer-vilnius-2019-review-asmik-grigorian-in-concert/

Asmik Grigorian started her summer festival season with a marvelous homecoming event in Vilnius. To say that this concert was long-awaited is a massive understatement. It would be sold out twice even if she had another recital days or weeks early — Asmik Grigorian is an absolute favorite of the local audience. But this concert happened after a long pause {…}
Reviews, Stage Reviews

Mostly Mozart Festival 2019 Review: The Black Clown

https://operawire.com/mostly-mozart-festival-2019-review-the-black-clown/

(Photo Credit: Richard Termine) July 24, 2019, saw the New York premiere of “The Black Clown,” a new work adapted from the Langston Hughes poem of the same name, with music by Michael Schachter and directed by Zack Winokur. Exploring the struggles of the African-American experience, this powerful work blends opera with the styles of gospel, vaudeville, and jazz, allowing {…}
IndieOpera

New York Opera Festival 2019: Divaria Productions Showcases ‘La Voix Humaine’

https://operawire.com/new-york-opera-festival-2019-divaria-productions-showcases-la-voix-humaine/

The New York Opera Fest 2019 kicked off on Monday, April 29 and for the next several weeks, New Yorkers will get ample opportunity to enjoy opera in a variety of unique ways. As has been OperaWire’s tradition over the years, we have reached out to a number of the companies participating in the festival and have asked them a {…}
Reviews, Stage Reviews

Teatro Verdi Trieste 2018-19 Season Review: Madama Butterfly

https://operawire.com/teatro-verdi-trieste-2018-19-season-review-madama-butterfly/

In Gilbert and Sullivan’s 1881 operetta “Patience,” the Oscar Wilde parody character Reginald Bunthorne boasts “I do not care for all one sees – that’s Japanese.” At the end of the Victorian era, the Land of the Rising Sun was an object of immense curiosity all over Western Europe and it seemed no occidental nation was immune to the craze {…}

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