‘mɔɹnɪŋ [morning//mourning]’ to be Performed at Roulette

https://operawire.com/m%c9%94%c9%b9n%c9%aan-morning-mourning-to-be-performed-at-roulette/

Gelsey Bell’s “mɔɹnɪŋ [morning//mourning]” will be performed as part of Roulette’s Winter 2026 season. Following its extended and sold-out run during Prototype in 2023, a US tour, and a stint in Green-Wood Cemetery’s catacombs, this experimental opera will be presented in concert at Roulette. Bell’s “mɔɹnɪŋ [morning//mourning]” is set just after humanity has disappeared from the Earth, and traces the {…}

Reviews, Stage Reviews

Roulette Intermedium 2025 Review: Celestial Excursions

https://operawire.com/roulette-intermedium-2025-review-celestial-excursions/

(Photo: Whitney Browne) “Celestial Excursions” by Robert Ashley was featured at Brooklyn’s Roulette Intermedium Sept. 10-12, 2025 and was commissioned by Performing Artservices, Inc. as part of the national series of works of Meet the Composer/Arts Endowment Commissioning Music/USA, which is made possible with support from the National Endowment for the Arts, the Helen F. Whitaker Fund, and the Catherine {…}

Behind the Scenes, Interviews

Q & A: Mimi Johnson, the Founder & Director of Performing Artservices (1972) & Lovely Music (1978), on Robert Ashley’s ‘Celestial Excursions’

https://operawire.com/q-a-mimi-johnson-the-founder-director-of-performing-artservices-1972-lovely-music-1978-on-robert-ashleys-celestial-excursions/

(Credit: Matilde Chambon) Mimi Johnson is founder and director of Performing Artservices (1972) and Lovely Music (1978). She was married to composer Robert Ashley and continues to produce and tour his work, including all of Ashley’s operas, from “Perfect Lives” (1978-81) through “Crash” (2013-15) and “Quicksand “(2011-16). OperaWire reviewed Johnson’s most recent productions of Ashley’s operas, including “Improvement (Don Leaves {…}

Reviews

Death of Classical & Green-Wood Cemetery’s The Angel’s Share 2024 Review: Gelsey Bell’s ‘mɔɹnɪŋ [morning//mourning]’

https://operawire.com/death-of-classical-green-wood-cemeterys-the-angels-share-2024-review-gelsey-bells-m%c9%94%c9%b9n%c9%aan-morning-mourning/

(Photo credit: Steve Pisano) Gelsey Bell’s opera “mɔɹnɪŋ [morning//mourning]” originally made its music theatre world premiere in January 2023 as a co-production of Beth Morrison Project’s PROTOTYPE Festival and HERE. This year, as a production of the “Angel’s Share,” a concert series that takes place at the Green-Wood Cemetery in Brooklyn curated by Andrew Ousley of Death of Classical, Bell {…}

News

Muzzy Ridge Concerts to Present ‘Sacred & Profane’

https://operawire.com/symphony-space-to-present-sacred-profane/

Symphony Space is set to host a concert showcasing the music of Robert Sirota and Sheree Clement. “Sacred and Profane,” scheduled for Oct. 15, 2024 and presented by Muzzy Ridge Concerts, will feature the talents of soprano Ariadne Greif, baritone Paul Pinto, the Momenta Quartet, cellist Benjamin Larsen, pianist Hyungjin Choi, flutist Roberta Michel, violists Jonah Sirota and Nadia Sirota, and percussionist Katherine Fortunato, as they present worsk {…}

Reviews, Stage Reviews

Roulette Intermedium 2024 Review: Robert Ashley’s ‘Foreign Experiences’

https://operawire.com/roulette-intermedium-2024-review-robert-ashleys-foreign-experiences/

(Photo: Whitney Browne) Brooklyn’s Roulette Intermedium presented Robert Ashley’s “Foreign Experiences” (1994) on Saturday, May 11th, 2024 to an audience full of familiar faces in appreciation of avant-garde and experimental music. This work is part of Ashley’s opera tetralogy, “Now Eleanor’s Idea,” which also includes “Improvement (Don Leaves Linda),” “eL/Aficionado” and the stand-alone opera, “Now Eleanor’s Idea.” I have been {…}

News

Death of Classical Announces Upcoming ‘Crypt & Catacombs’ Programming

https://operawire.com/death-of-classical-announces-upcoming-crypt-catacombs-programming/

Death of Classical has released the May throughout Sept. programming for the “Crypt & Catacombs” series. This article features vocal related works only. The Miró Quartet perform a program featuring selections from its new album, “Home,” which centers around Caroline Shaw’s “Microfictions [vol. 1].” Performance Date: May 4, 2024 (Crypt Chapel of Harlem’s Church of the Intercession) “Sound & Silence” {…}

IndieOpera

Roulette to Present ‘Foreign Experiences’

https://operawire.com/roulette-to-present-foreign-experiences/

Brooklyn-based Roulette is set to present Robert Ashley’s “Foreign Experiences” starting on May 9. The three-performance run, which comes to a close on May 11, will be the first full performance of the opera since 1995. The work is part of Ashley’s operatic tetralogy “Now Eleanor,” which dates from the early 1990s. The work follows Don who leaves the Midwest {…}

News

Death of Classical & The Green-Wood Cemetery Announce Season 6 of ‘The Angel’s Share’

https://operawire.com/death-of-classical-the-green-wood-cemetery-announce-season-6-of-the-angels-share/

Death of Classical and the Green-Wood Cemetery announce “The Angel’s Share,” the organizations’ sixth season of collaborations. The season opens May 24. Each performance will begin with a pre-show spirits tasting with whiskey, mezcal, and more before audiences take a twilight walk through the Cemetery to the Catacombs. This article features vocal works only. The Fourth Wall Ensemble performs Caroline {…}

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‘mɔɹnɪŋ [morning//mourning]’ to be Performed at Roulette

Roulette Intermedium 2025 Review: Celestial Excursions

Q & A: Mimi Johnson, the Founder & Director of Performing Artservices (1972) & Lovely Music (1978), on Robert Ashley’s ‘Celestial Excursions’

Death of Classical & Green-Wood Cemetery’s The Angel’s Share 2024 Review: Gelsey Bell’s ‘mɔɹnɪŋ [morning//mourning]’

Muzzy Ridge Concerts to Present ‘Sacred & Profane’

Roulette Intermedium 2024 Review: Robert Ashley’s ‘Foreign Experiences’

Death of Classical Announces Upcoming ‘Crypt & Catacombs’ Programming

Roulette to Present ‘Foreign Experiences’

Death of Classical & The Green-Wood Cemetery Announce Season 6 of ‘The Angel’s Share’