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Behind the Scenes, Interviews

Q & A: Paco Azorín on ‘Tosca,’ & the Art of Directing Opera

https://operawire.com/q-a-paco-azorin-on-tosca-the-art-of-directing-opera/

Paco Azorín is one of today’s most prolific artists in Spain. In a 25 years, he has participated in more than 300 productions in theater and opera. Recently his 2014 “Tosca” debuted at the Teatro Real de Madrid for the very first time and with it audiences got to see three different casts with the likes of Anna Netrebko, Sondra {…}

News

Jorge de León, Manuel Fuentes Among Winners of ABAO Opera’s XXI Awards

https://operawire.com/jorge-de-leon-manuel-fuentes-among-winners-of-abao-operas-xxi-awards/

ABAO Bilbao Opera has announced the winners of its eighth Ópera XXI Awards. The awards recognize the finest artists, professionals, and institutions in Spanish lyric opera during the 2024–2025 season. Canarian tenor Jorge de León claimed the award for Best Male Singer for his portrayal of the title role in Verdi’s “Otello,” which closed ABAO’s 2024–25 season in May 2025. {…}

News, Season Announcement

Julie Fuchs, Julie Roset, Catherine Hunold & Ana Vieira Leite Lead Opéra Grand Avignon’s 2025-26 Season

https://operawire.com/julie-fuchs-julie-roset-catherine-hunold-ana-vieira-leite-lead-opera-grand-avignons-2025-26-season/

The Opéra Grand Avignon has announced its 2025-26 season. Opera Débora Waldman conducts a production of Mozart’s “Don Giovanni” by Frédéric Roels. The opera will star Armando Noguera, Gabrielle Philiponet, Lianghua Gong, Mischa Schelomianski, Anaïk Morel, Tomislav Lavoie, Aimery Lefèvre, and Eduarda Melo. Performance Dates: Oct. 10-14, 2025 Mauro Borgioni, Marie Théoleyre, Floriane Hasler, Anna Rheinold, Furio Zanasi, and Salvo Vitale {…}

News, Season Announcement

Marina Rebeka, Cecilia Bartoli, Juan Diego Flórez, Ismael Jordi, Marigona Qerkezi & Marina Monzó Lead Teatro de la Maestranza’s 2025-26 Season

https://operawire.com/marina-rebeka-cecilia-bartoli-juan-diego-florez-ismael-jordi-marigona-qerkezi-marina-monzo-lead-teatro-de-la-maestranzas-2025-26-season/

The Teatro de la Maestranza has announced its 2025-26 season. Two casts will perform Mozart’s “Don Giovanni.” Alessio Arduini and Jan Antem star alongside Ekaterina Bakanova, Bryndís Guðjónsdóttir, Marco Ciaponi, Pablo Martínez, George Andguladze, Luis López, Julie Boulianne, Karen Gardeazabal, David Menéndez, Emmanuel Franco, Marina Monzó, Montserrat Seró, Ricardo Seguel, and Yoshihiko Miyashita. Iván López Reynoso and Mariano García Valladares {…}

News

Oksana Dyka, Carlos Álvarez, Karita Mattila, Silvia Tro Santafé & Ermonela Jaho Lead Bilbao Opera’s 2024-25 Season

https://operawire.com/oksana-dyka-carlos-alvarez-karita-mattila-silvia-tro-santafe-ermonela-jaho-lead-bilbao-operas-2024-25-season/

Bilbao Opera has announced its 2024-25 season. Opera The season opens with Donizetti’s “Don Pasquale.” Simón Orfila, Enric Martínez-Castignani, María José Moreno, Sofía Esparza, Francesco Demuro, Juan Antonio Sanabria, and Damián del Castillo lead the cast. Maestro Sesto Quatrini conducts Emiliano Suárez’s production. Performance Dates: Oct. 19-28, 2024 The second opera is Puccini’s “Il Trittico.” “Il Tabarro” will star Carlos {…}

Reviews, Stage Reviews

Ópera de Oviedo 2023-24 Review: La Traviata

https://operawire.com/opera-de-oviedo-2023-24-review-la-traviata/

Ópera de Oviedo finished the 2023 year with a polemic new “Traviata,” by director Paco Azorin and co-coproduced with the Festival Castell de Perelada, a splendid cast of singers and the energetic approach of its conductor, Òliver Dìaz. Paco Azorin is one of the most talented and prolific Spanish stage directors and set designers today. He sets the opera in {…}

Reviews, Stage Reviews

Teatro Real 2023-24 Review: Medea

https://operawire.com/teatro-real-2023-24-review-medea/

(Credit: Javier del Real) Teatro Real opened its 2023-24 season with Cherubini’s masterpiece “Medea.” The opera had a great success and was very popular in Europe during the XIX century, where it was usually performed in German or Italian and with a newly written recitative instead of the original French dialogues between arias and scenes. “Medea” was rarely performed during {…}