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Reviews, Stage Reviews

Irish National Opera 2023-24 Review: L’Olimpiade

https://operawire.com/irish-national-opera-2023-24-review-lolimpiade/

(Photo: Ros Kavanagh) Intricate and convoluted plots are not exactly rare in operas of the 17th and 18th centuries. Usually revolving around mistaken identities, complex love triangles, misunderstandings and deliberate deceptions that precipitate extreme emotions, their narratives career forward, plunging the protagonists into life-threatening and life-changing situations in which the gods, heroes and mythical characters often play their part. Vivaldi’s {…}

Special Features

House of Cultures – Paolo Petrocelli Unveils His First Season at the Head of Dubai Opera

https://operawire.com/house-of-cultures-paolo-petrocelli-unveils-his-first-season-at-the-head-of-dubai-opera/

Back in February, the Dubai Opera made a major announcement – Dr. Paolo Petrocelli would become the face of the organization, taking over the top position as Head of the company. For Petrocelli, the Director General of the Stauffer Center for Strings, one of Friends of Europe’s 40 most influential young personalities, and the man who literally wrote the book {…}

Special Features

Exploring Three Operas Based on LGBTQ+ Relationships from History

https://operawire.com/exploring-three-operas-based-on-lgbtq-relationships-from-history/

Over the years, opera has come to embody an artform that represents all shades of the human experience.  From the traditional to the abstract, every form of love that can be expressed on earth has come to the operatic stage to live. One of those shades is the love shared between those belonging to the LGBT+ community. Some of the {…}

Behind the Scenes, Interviews

Q & A: Creators Brian Irvine & Netia Jones on their Opera ‘Least Like The Other’

https://operawire.com/q-a-creators-brian-irvine-netia-jones-on-their-opera-least-like-the-other/

In July 2019, Irish National Opera premiered “Least Like The Other” at the Galway International Arts Festival to a raft of fabulous reviews.  The short opera, which lasts approximately 70 minutes, is an intensely disturbing work that explores the brutal and life-destroying system that led to Rose Kennedy having a lobotomy at the age of 23. She was born into {…}

Interviews, Stage Spotlight

Q & A: Baritone Ben McAteer On His Current Role As Malatesta For INO’s Production Of ‘Don Pasquale’ & His Approach To Performing Opera

https://operawire.com/q-a-baritone-ben-mcateer-on-his-current-role-as-malatesta-for-inos-production-of-don-pasquale-his-approach-to-performing-opera/

(Photo:Robert Piwko ) Only a matter of weeks ago, OperaWire reviewed Wexford Festival Opera’s production of Félicien David’s neglected opera “Lalla-Roukh,” in which the Northern Irish baritone Ben McAteer caught the attention with a beautifully sung and brilliantly acted performance in the role of Baskir. The review noted that he had “a real flairfor the comic, with his timing invariably {…}

News

Opera Prelude to Celebrate World Opera Day With Conference

https://operawire.com/opera-prelude-to-celebrate-world-opera-day-with-conference/

Opera Prelude is set to gather together dozens of internationally renowned opera professionals on World Opera Day. The conference on Oct. 25 will be for OperaWorks, an exciting conference and professional development day designed to help talented young performers starting out in their careers. There will be a series of morning sessions for singers, run by experts from every area {…}

Interviews, Stage Spotlight

Q & A: Deirdre Masterson Talks About Her Career As Opera Singer, Teacher, Recording Artist, Voice Therapist & New CD

https://operawire.com/q-a-deirdre-masterson-talks-about-her-career-as-opera-singer-teacher-recording-artist-voice-therapist-new-cd/

(Photo: House of Photography – Mark Ivory) There can be few singers with such a diverse and impressive CV as that of the Irish soprano Deirdre Masterson. Having made her stage debut at the age of 12 in the role of the Spirit in Purcell’s “Dido and Aeneas” and followed the usual training programs, she seemed destined for a successful {…}

Interviews, Stage Spotlight

Q & A: Jade Phoenix on her Experience with Wexford Festival Opera’s Factory & on her Debut as Giulietta

https://operawire.com/q-a-jade-phoenix-on-her-experience-with-wexford-festival-operas-factory-on-her-debut-as-giulietta/

One of the successes of this year’s Wexford Festival Opera was undoubtedly the Wexford Factory, a program of masterclasses introduced by the festival’s artistic director Rosetta Cucchi aimed at developing young talent. The participants are also given the opportunity to sing in an opera on the main stage during the afternoon, replacing the 60 to 90 minute opera short productions, {…}

News

Randall Shannon Named Executive Director of Wexford Festival Opera

https://operawire.com/randall-shannon-named-executive-director-of-wexford-festival-opera/

Wexford Festival Trust has announced the appointment of Randall Shannon as their new Executive Director of Wexford Festival Opera. The decision, made on September 9, 2021, comes following an international recruitment campaign. Shannon started his career as orchestral musician in London before going into administration; he has served Chief Executive positions with companies such as the Irish Chamber Orchestra, Opera {…}