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Reviews, Stage Reviews

Wexford Festival Opera 2024 Review: Puccini – Man Of The Theatre

https://operawire.com/wexford-festival-opera-2024-review-puccini-man-of-the-theatre/

(Photo: Padraig Grant) To mark the hundredth anniversary of the death of Giacomo Puccini, the Wexford Festival Opera commissioned William Niall Morris to create a short work celebrating the composer’s life and music. The result was a short piece, lasting about an hour, entitled “Puccini: Man of the Theatre,” which essentially amounted to a selection of his greatest hits linked {…}

News

Houston Grand Opera & the Asia Society Texas to Give the World Premiere of ‘The Big Swim’

https://operawire.com/houston-grand-opera-the-asia-society-texas-to-give-the-world-premiere-of-the-big-swim/

(Photo credit: John Matthew Myers) Houston Grand Opera and the Asia Society Texas announced their co-production of the world premiere of Meilina Tsui and  Melisa Tien’s opera “The Big Swim.” The new opera weaves together Eastern and Western cultures, with Tsui’s score incorporating opera buffa, Peking and Cantonese opera, Gregorian chants, American and Asian pop music, animated musicals, and more. {…}

Reviews, Stage Reviews

Wexford Festival Opera 2023 Review: La Fille du régiment

https://operawire.com/wexford-festival-opera-2023-review-la-fille-du-regiment/

(Photo: Padraig Grant) The second of Wexford Festival’s pocket operas, Opera Beag, was a presentation of Donizetti’s opéra-comique “La Fille du régiment.” Operating on a low-budget and using only piano accompaniment, director Heather Hadrill was under no illusions of the difficulties involved. In her program notes, she stated “The challenge of pocket operas is to give as full a sense {…}

Reviews, Stage Reviews

Long Beach Opera 2018-19 Review: The Central Park Five

https://operawire.com/long-beach-opera-2018-19-review-the-central-park-five/

(photo: Keith Ian Polakoff) From the outset, let me say that Anthony Davis and Richard Wesley’s “The Central Park Five” is a powerful experience. I’ve said elsewhere that impressive new operas are created out of U.S. current affairs because U.S. current affairs play out on an operatic scale. Such is the case with this account of the trial and later {…}