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News

Placido Domingo, Jonas Kaufmann & Cecilia Bartoli Headline Salzburg Festival

https://operawire.com/placido-domingo-jonas-kaufmann-cecilia-bartoli-headline-salzburg-festival/

The Salzburg Festival has announced its 2018 summer festival. This season the festival will showcase eight operas in concert and staged performances. “Die Zauberflöte” will be the festival’s sole Mozart offering starring Matthias Goerne as Sarastro, Mauro Peter as Tamino, Albina Shagimuratova in the role of the Queen of the Night, Christiane Karg as Pamina, and Adam Plachetka as Papageno. Constantinos Carydis conducts Lydia Steier’s new production. {…}

News

Social Media Beat (Week of Sept. 29): Metropolitan Opera Opening Week Dominates

https://operawire.com/social-media-beat-week-of-sept-29-metropolitan-opera-opening-week-dominates/

The big event of the week was the opening of the Metropolitan Opera’s 2017-18 season. As might be expected, a lot of the big stars had a lot to showcase on social media, many of them prepping for the opening of their respective productions. In addition to her big week at the Met, playing Adalgisa at opening night of “Norma,” {…}

News

Social Media Beat (8/25-31) – While In Rehearsals Opera Stars Relax With Loved Ones

https://operawire.com/social-media-beat-825-31-while-in-rehearsals-opera-stars-relax-with-loved-ones/

It was another week of rehearsals as many houses are preparing their 2017-18 seasons. And it was also a week where many of your favorite opera singers shared pictures with their loved ones. First off, Michael Fabiano announced his engagement to his boyfriend Bryan McCallister. The two have been in London where Fabiano is preparing a new production of “La {…}

Reviews, Stage Reviews

WestEdge Opera 2017 Review – Frankenstein: Libby Larsen’s Opera Gets Vibrantly Immersive Production

https://operawire.com/westedge-opera-2017-review-frankenstein-libby-larsens-opera-gets-vibrantly-immersive-production/

If Mary Shelley bumped into Libby Larsen at West EdgeOpera, at the final matinee of “Frankenstein,” what would she have said? “Good job, Girl. Another new vista. A moving monster and a compelling draw away from the axe Viktor Frankenstein had to grind?” Or, “What on earth are you talking about – my monster and his maker, a 21st century {…}

Special Features

Opera vs. Broadway: The Contrasting Styles of ‘Madama Butterfly’ & Its Revival As ‘Miss Saigon’

https://operawire.com/opera-vs-broadway-the-constrasting-styles-of-madama-butterfly-its-revival-as-miss-saigon/

In Collaboration with Francisco Salazar Inside the plainly named Broadway Theater, one of Broadway’s largest houses with 1,765 seats, a wall of wood scaffolding and wood poles obscures the stage in place of the would-be curtain. The screens of wooden slats bleed seamlessly into stairways patched with corrugated metal, extending beyond the proscenium. This apparent slum, which is lit with {…}

Special Features

Metropolitan Opera 50th Anniversary Gala: 50 Iconic & Historic Moments From the New House

https://operawire.com/metropolitan-opera-50th-anniversary-gala-50-iconic-historic-moments-from-the-new-house/

The Metropolitan Opera celebrates its 50th anniversary Sunday with a massive gala featuring the greatest stars in opera. The company, which moved to Lincoln Center in 1966, is among the most renowned opera institutions in the world, a place where the greatest of all singers commune on one of the biggest stages in one of the biggest theaters. A few {…}

Stage Spotlight

Metropolitan Opera 50th Anniversary Celebration: Stories From The New House Told By Opera’s Greatest Stars

https://operawire.com/metropolitan-opera-50th-anniversary-celebration-stories-from-the-new-house-told-by-operas-greatest-stars/

For 50 years, the Metropolitan Opera has made its home in Lincoln Center, creating numerous cathartic and revelatory memories for both audiences and artists alike. In speaking with some of the world’s greatest artists that have performed at the Met, OperaWire has been granted the opportunity to hear some unique, enriching and entertaining stories and experiences that have taken place {…}

Reviews, Stage Reviews

Metropolitan Opera 2016-17 Review – Der Rosenkavalier: Elīna Garanča, Günther Groissböck Deliver Nuanced Performances In Solid Production

https://operawire.com/metropolitan-opera-2016-17-review-der-rosenkavalier-elina-garanca-gunther-groissbock-deliver-nuanced-performances-in-solid-if-not-perfect-production/

The Metropolitan Opera’s new production of “Der Rosenkavalier” by Robert Carsen is as high stakes as it gets these days for the company in both the short and long-term view. In the short-term view, this production is the punctuation on the current season, its final new staging. It will also be the final HD performance of the season, and more {…}

News

Social Media Beat (4/22-27): Dmitri Hvorostovsky Returns To The Stage

https://operawire.com/social-media-beat-422-27-dmitri-hvorostovsky-returns-to-the-stage/

If there was one event that opera lovers couldn’t miss this week, it was the return of Dmitri Hvorostovsky. The baritone was joined by Anna Netrebko and her Husband Yusif Eyvazov in a sold out concert that included some of the greatest hits in opera and a number of Russian selections. The performance was a big hit and Hvorostovsky showed his {…}