Photo: Winslow Townson The first time my partner watched Shostakovich’s “Lady Macbeth of Mtsensk,” he couldn’t believe that the composer ever thought a Stalinist regime would be pleased with the opera. The “in-your-face” power of the work made him—a (handsome) man whose political convictions ponder between socialism and cowboyism—find endearing that ‘Shosta’ could not see his censoring coming. Even today, {…}