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Interviews, Stage Spotlight

Q & A: Tanja Ariane Baumgartner on Klytämnestra at Salzburg, the ‘New Normal’ After COVID-19

https://operawire.com/q-a-tanja-ariane-baumgartner-on-klytamnestra-at-salzburg-the-new-normal-after-covid-19/

(Credit: Dario Acosta NY) German mezzo-soprano Tanja Ariane Baumgartner is one of the most sought-after opera singers of our time. Baumgartner has been a member of the ensemble at Oper Frankfurt since the 2009-10 season. During her time in Frankfurt, Tanja Baumgartner made appearances in numerous operas including “Carmen,” “Giulio Cesare in Egitto,” “Don Carlo,” “Medea,” “Die Frau ohne Schatten,” {…}

News

Jonas Kaufmann, Lucas Meachem & Juan Francisco Gatell Lead New CD/DVD Releases

https://operawire.com/jonas-kaufmann-lucas-meachem-juan-francisco-gatell-lead-new-cd-dvd-releases/

This week, four complete operas, as well as an oratorio recording, will be available to stream. Here is a look. Otello After long delays, Sony Classical will finally release the full studio recording of Verdi’s masterpiece opera with Jonas Kaufmann singing the title role and Antonio Pappano conducting the Orchestra e Coro dell’Accademia Nazionale di Santa Cecilia. Soprano Federica Lombardi sings her {…}

News

Pavol Breslik & Karita Mattila Highlight Janáček Brno Festival’s 2020 Season

https://operawire.com/pavol-breslik-karita-mattila-highlight-janacek-brno-festivals-2020-season/

The Janáček Brno Festival has announced its 2020 edition and confirmed it will begin as planned. For the purposes of this article, we have only focused on the vocal performances. Robert Carsen directs Leoš Janáček’s “Destiny” with a cast that includes Alžběta Poláčková and Szilvia Rálik. Marko Ivanović conducts the opening night opera. “Destiny,” created especially for the Janáček Opera, {…}

Behind the Scenes, Interviews

Q & A: Composer Stuart MacRae On Early Works, ‘Anthropocene’ & “Prometheus”

https://operawire.com/q-a-composer-stuart-macrae-on-early-works-anthropocene-prometheus/

(Credit:Loudon MacRae Photography) Composer Stuart MacRae has established himself as one of the most distinctive composers of his generation. He has written a range of orchestral and opera works in his career, with his most recent orchestral work including the symphony “Prometheus,” which premiered in November 2019. He has also composed five operas to date –  “The Assassin Tree,” “Remembrance {…}

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Obituary: Renown Contralto Yeoryia Megremis Passes Away

https://operawire.com/obituary-renown-contralto-yeoryia-megremis-passes-away/

Greek contralto Yeoryia Megremis has died. The acclaimed singer graduated from the University of Indiana with a major in opera and won first prize in vocal and operatic studies at the Athens Conservatory in Greece. Following her studies in Greece, the singer competed at the Metropolitan Opera National Council Auditions where she won the Regional Auditions and made a successful New {…}

News

Sean Panikkar, Anne Sofie von Otter & Leonardo Capalbo Lead Komische Oper Berlin’s 2019-20 Season

https://operawire.com/sean-panikkar-anne-sofie-von-otter-leonardo-capalbo-lead-komische-oper-berlins-2019-20-season/

Komische Oper Berlin has announced its 2019-20 season. This season will celebrate Dionysus, the forefather and protagonist of Greek theatre, with new productions reflecting the entire spectrum of musical theatre. Chief Director Barrie Kosky comments, “. . . [O]nce we believe in the power of theatre and music, believe in their intoxicating, seductive, physical, emotional, and ultimately community-building impacts, once {…}

Behind the Scenes, Interviews

Q & A: Dr. Ronald Perlwitz On The Bayreuth Festival In Abu Dhabi

https://operawire.com/waiting-on-picture-q-a-dr-ronald-perlwitz-on-the-bayreuth-festival-in-abu-dhabi/

Over the last few months, one of the biggest headlines has been the announcement that the Bayreuth Festival would be taking its forces to Abu Dhabi for a couple of performances of Wagner’s “Die Walküre.” The Bayreuth Festival isn’t known for traveling abroad for its productions and Abu Dhabi is not among the recognized homes of opera. But this shift {…}