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Behind the Scenes, Interviews

Q & A: Pinchgut Opera’s Erin Helyard On Winning An International Opera Award & Moving Forward

https://operawire.com/q-a-pinchgut-operas-erin-helyard-on-winning-an-international-opera-award-moving-forward/

Sydney-based Pinchgut Opera became the first Australian company to win an International Opera Award when it was recently awarded best “Rediscovered Work” for Hasse’s 1740 “Artaserse” at this year’s Awards in London. OperaWire talked to the organization’s Artistic Director, Erin Helyard about the company’s beginnings, upcoming projects, and future endeavors. . OperaWire: What is Pinchgut? What is its brief and {…}
Behind the Scenes, Interviews

Q & A: Pinchgut Opera Artistic Director Erin Helyard On Company’s 2018-19 Season

https://operawire.com/q-a-pinchgut-opera-artistic-director-erin-helyard-on-companys-2018-19-season/

Baroque opera’s popularity is growing every year. You’ve felt it. I’ve felt it. I think everyone in the opera world is feeling it. Everywhere you look, major companies are putting on more works by Handel or Monteverdi. And if those big names aren’t producing them, then you are starting to see smaller companies take on the responsibility of presenting some {…}
Reviews, Stage Reviews

Pinchgut Opera 2024 Review: Dido & Aeneas

https://operawire.com/pinchgut-opera-2024-review-dido-aeneas/

(Photo Credit: Cassandra Hannagan) Audience-members arriving at Sydney’s Angel Place Recital Hall for Pinchgut Opera’s latest production, Purcell’s opera “Dido and Aeneas,” walked in on a boxed theatrical space in which ensemble-members crossed and re-crossed the stage folding linen. While some audience-members were to be heard wondering what the folding signified, the repeated activity, minutes before the opera started, could {…}
Reviews, Stage Reviews

Opera Australia 2023-24 Review: Theodora

https://operawire.com/opera-australia-2023-24-review-theodora/

(Photo Credit: Keith Saunders) Opera Australia’s summer season continued on February 8 with a chance to hear Handel’s favorite among his oratorios. What was it? 1739’s “Saul?” “Messiah” of 1742? Neither. In a coproduction with baroque specialists Pinchgut Opera, Opera Australia presented “Theodora,” Handel’s oratorio from 1750. This was a semi-staged version directed by Lindy Hume, who has been Opera {…}
News

Christophe Dumaux, Kang Wang, Samantha Clarke, Stacey Alleaume, Cathy-Di Zhang Headline Opera Australia’s 2024 Sydney Season

https://operawire.com/christophe-dumaux-kang-wang-samantha-clarke-stacey-alleaume-cathy-di-zhang-headline-opera-australias-2024-sydney-season/

Opera Australia announced its 2024 summer season which will feature five Sydney Opera House premieres. Guest Creative Director Lindy Hume curated the season. The program highlights the scope of Australian talent both “on and off the stage,” as well as international guest artists and opera in contemporary storytelling. Hume’s program includes several milestone partnerships for Opera Australia including Victorian Opera, {…}
Reviews, Stage Reviews

Pinchgut Opera 2022 Review: Medée

https://operawire.com/pinchgut-opera-2022-review-medee/

(Photo credit: Cassandra Hannagan) In a podcast for Pinchgut Opera’s latest production, Marc-Antoine Charpentier’s opera “Médée,” Artistic Director Erin Helyard describes the first interpreter of the title role in 1693, Marie le Rochois, as “the greatest actress in all of France.” “Actress.” Not singer? But perhaps the designation provides a clue as to how to appreciate this early French baroque {…}
News

Jake Arditti, Carlo Vistoli & Cathy-Di Zhang Lead Pinchgut Opera’s 2023 Season

https://operawire.com/jake-arditti-carlo-vistoli-cathy-di-zhang-lead-pinchgut-operas-2023-season/

Australia’s Pinchgut Opera has announced its 2023 season The season opens with “Membra Jesu Nostri” by Dieterich Buxtehude. Performance Dates: April 1-5, 2023 Nicholas Tamagna, Madeleine Pierard, Jacob Lawrence, Lauren Lodge-Campbell, OwenWilletts, Russell Harcourt, Louis Hurley, Andrew O’Connor, and Chloe Lankshear star in “Giustino” by Giovanni Legrenzi. Erin Helyard conducts Dean Bryant’s production. Performance Dates: May 25-31, 2023 “Pleasures of {…}

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