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Interviews, Stage Spotlight

Q & A: Aprile Millo On Her London Debut & Her Return To ‘Adriana Lecouvreur’

https://operawire.com/q-a-aprile-millo-on-her-london-debut-her-return-to-adriana-lecouvreur/

Newsday once described Aprile Millo as “the high priestess of that old time operatic religion.” Indeed, Millo is still one of the few remaining divas of the past who continues to thrill audiences with her passionate and intense voice and whose sheer honesty continues to bring audiences back to a different time in the opera chronology. A huge exponent of {…}

Interviews, Stage Spotlight

Q & A: Carmela Remigio On ‘Rinaldo,’ Martina Franca & Luciano Pavarotti

https://operawire.com/q-a-carmela-remigio-on-rinaldo-martina-franca-luciano-pavarotti/

OperaWire was lucky enough to catch up with the wonderfully talented soprano Carmela Remigio, during the Festival della Valle d’Itria in Martina Franca, where she sang Armida in Handel’s “Rinaldo.” Known as “Madame Mozart” in Italy, owing to her close association with Mozart’s operas, and especially “Don Giovanni,” her repertoire is, in fact, far wider. In 2019, she is scheduled {…}

News

Pretty Yende Replaces Diana Damrau In Munich’s ‘Lucia di Lammermoor’

https://operawire.com/pretty-yende-replaces-diana-damrau-in-munichs-lucia-di-lammermoor/

Diana Damrau has canceled her performances of Donizetti’s ‘Lucia di Lammermoor” at the Bayerische Staatsoper in 2018-19. The soprano, who was originally scheduled to sing the title role when the 2018-19 season was announced has canceled all engagements of the title role, per her website. As a result, Pretty Yende will take over the performances which are scheduled for June {…}

Artist of the Week, News

Artist Of The Week: Javier Camarena Takes On His First Edgardo In ‘Lucia Di Lammermoor’

https://operawire.com/artist-of-the-week-javier-camarena-takes-on-his-first-edgardo-in-lucia-di-lammermoor/

Over the past years, Javier Camarena has become one of the most in-demand tenors in the world. His charisma, blazing high notes, and expressive qualities have allowed him to create history. For example, he is just the second singer in Metropolitan Opera history to sing encores in multiple productions. He is also the second singer in the history of the Teatro Real to {…}