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Reviews, Stage Reviews

English Concert 2018 Review – Rinaldo: Harry Bicket’s Interpretation brings Harry Potter’s Magic to Madrid

https://operawire.com/english-concert-2018-review-rinaldo-harry-bickets-interpretation-brings-harry-potters-magic-to-madrid/

As Professor Higgins insisted, diction is everything. If one mentions the word “Rinaldo” in Madrid without clearly articulating the letter “i” as an Italianate “ee,” locals invariably start talking about the football superstar from the Stadio Bernabeu rather than an obscure baroque opera in the National Auditorium. Obviously Handel’s “Rinaldo” is a different pitch altogether, although ambiguity is still inherent. {…}

News

Mahler To Dominate Metropolitan Opera Orchestra’s Carnegie Hall Concerts

https://operawire.com/mahler-to-dominate-metropolitan-opera-orchestras-carnegie-hall-concerts/

The Metropolitan Opera Orchestra launches its Carnegie Hall series on May 31, 2017 and will showcase three diverse programs showcasing some of Mahler’s greatest vocal writing. The series kicks off on May 31 with Susan Graham and Matthew Polenzani in selections from “Des Knaben Wunderhorn” and Symphony No. 1. Esa-Pekka Salonen conducts the program. On June 3, Salonen conducts mezzo-soprano Karen {…}

Reviews, Stage Reviews

Theater Bonn Review 2016-17 – Peter Grimes: José Cura Shifts The Blame On Main Character, Concocting An Engrossing Production

https://operawire.com/theater-bonn-review-2016-17-peter-grimes-jose-cura-shifts-the-blame-on-main-character-concocting-an-engrossing-production/

The starting point for any production of Peter Grimes lies in the interpretation of the opera’s central character, namely Peter Grimes himself: to what extent should the audience be encouraged to view the anti-hero as an outsider, a victim of the underlying, but all-pervading intolerance and hypocrisy which saturates the Borough, rather than simply as a sadistic sociopath? Clearly, any {…}

Reviews, Stage Reviews

Metropolitan Opera 2016-17 Review – Rusalka: Mary Zimmerman, Kristine Opolais & Company Take Us On Dramatically Rich Journey To Find Operatic Identity

https://operawire.com/metropolitan-opera-2016-17-review-rusalka-mary-zimmerman-kristine-opolais-company-take-us-on-dramatically-rich-journey-to-find-operatic-identity/

We acknowledge that OperaWire is late to the “Rusalka” party, but here is our review for the performance on Feb. 17, 2017, the fifth performance of this run. Antonín Dvorák’s “Rusalka” is the epitome of a metaphorical operatic identity crisis. The opera, which is a grim version of Hans Christian Andersen’s “The Little Mermaid,” follows the story of a water {…}