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Michelle Bradley to Headline ‘Tosca’ at San Diego Opera

https://operawire.com/san-diego-opera/

The San Diego Opera will present Puccini‘s “Tosca”  this March. The famed work will star soprano Michelle Bradley, bass-baritone Greer Grimsley, and tenor Marcelo Puente. Other cast members include baritone Michael Sokol, tenor Joel Sorensen, and soprano Abigail Allwein. Valerio Galli conducts. Performances are set for March 25, 28 and 31 and April 2, 2023 at the San Diego Civic Theater. {…}

IndieOpera

West Edge Opera Commission New Opera by Matthew Recio & Stephanie Fleischmann

https://operawire.com/west-edge-opera-commission-new-opera-by-matthew-recio-stephanie-fleischmann/

West Edge Opera has announced that it will commission “L’Autre Moi.” The work for eight singers and 13 instruments tells the story of surrealist photographers Marcel Moore and Claude Cahun, female lovers, and Jewish activists who used their art as a means of empowering resistance in Nazi Germany. The work is written by Matthew Recio and Stephanie Fleischmann and is {…}

News

Detroit Opera Announces Major Cast Change for ‘Aida’

https://operawire.com/detroit-opera-announces-major-cast-change-for-aida/

Detroit Opera has announced a major cast change for its concert performance of Verdi’s “Aida.” The company revealed that Alfred Walker will be taking on the role of Amonasro for the December 30 performance, replacing Reginald Smith, Jr., who has withdrawn due to illness. Walker previously appeared in Detroit Opera’s “Cavalleria Rusticana” in 2021. His 2022-23 season will see him {…}

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Boston Lyric Opera Announces New General Director

https://operawire.com/boston-lyric-opera-announces-new-general-director/

The Boston Lyric Opera Board of Directors, led by Michael J. Puzo has announced a new General Director. The company announced that Bradley Vernatter will become the Stanford Calderwood General Director and CEO. The appointment follows Vernatter’s term as Acting General and Artistic Director. A In a statement, Puzo said, “There is clear enthusiasm on the board for Brad’s leadership {…}

News

‘X, The Life and Times of Malcolm X’ is Headed to Opera Omaha

https://operawire.com/x-the-life-and-times-of-malcolm-x-is-headed-to-opera-omaha/

Credit: Micah Shumake/Detroit Opera Before heading to the Metropolitan Opera stage, Anthony Davis’ “X, The Life and Times of Malcolm X” will be performed at Opera Omaha. This new production by Robert O’Hara tours significant locations in Malcolm X’s life. Some of the co-sponsoring locations include Detroit Opera, Lyric Opera of Chicago, the Metropolitan Opera, and Seattle Opera. O’Hara’s production {…}

News

Tamara Wilson & Michael Sumuel Headline Washington Concert Opera’s Annual Gala

https://operawire.com/tamara-wilson-michael-sumuel-headline-washington-concert-operas-annual-gala/

The Washington Concert Opera has unveiled its lineup for the fall Gala. The performance, which is set for Oct. 12, 2022, at the French Embassy in Washington, D.C., will star soprano Tamara Wilson and bass-baritone Michael Sumuel. Wilson is an internationally renowned soprano who has appeared with a number of major companies including the Canadian Opera Company, the English National {…}

News

Stephanie Blythe & Laquita Mitchell Star in On Site Opera’s ‘Comedy and Tragedy Under the Stars’

https://operawire.com/stephanie-blythe-laquita-mitchell-star-in-on-site-operas-comedy-and-tragedy-under-the-stars/

On Site Opera will present “Comedy and Tragedy Under the Stars” at Caramoor’s Venetian Theater on July 22 at 8 pm. The one-night-only performance will star Stephanie Blythe, Laquita Mitchell, and Maya Lahyani. First up, Blythe and Mitchell will share an adapted stage version of composer and librettist Rachel J. Peters’ “Lesson Plan,” which they premiered online this year via {…}

News

Riccardo Muti Rejects Revisionist Opera

https://operawire.com/riccardo-muti-rejects-revisionist-opera/

Maestro Riccardo Muti is sticking to the original text of “Un Ballo in Maschera.” In a recent interview with the Associated Press in anticipation of his performances of the Verdi opera, the conductor commented on a racially charged text in the original score which states, “dell’immondo sangue de’ negri (“she has filthy Black blood).” The conductor decided not to alter {…}