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Reviews, Stage Reviews

Carnegie Hall 2018 Review: Elīna Garanča In Recital

https://operawire.com/carnegie-hall-2018-review-elina-garanca-in-recital/

Mezzo-soprano Elīna Garanča, who recently opened the Metropolitan Opera’s 2018-19 season with her role in Saint-Saens’ “Samson and Delilah” took to Carnegie Hall with pianist Kevin Murphy for an evening of lieder, songs, and arias close to her heart and on the pulse of her prominent artistic career. Featuring the works of Schumann, Wagner, Ravel, and more, the program of {…}

Reviews

Dallas Opera 2018-2019 Review: Der Fliegende Holländer

https://operawire.com/dallas-opera-2018-2019-review-der-fliegende-hollander/

Halloween is around the corner and the Dallas Opera has, by chance or choice, opened its season with an opera that offers equal servings of fright and delight.  The second performance of the run was jaw-droppingly good, the stuff of crazy dreams and desperate nightmares. The story is relatively simple. Satan has cursed the Dutchman to wander the seas aimlessly {…}

Reviews, Stage Reviews

Vienna Philharmonic 2017-18 Review: Elina Garanca Takes Us On A Transcendent Journey With Mahler

https://operawire.com/vienna-philharmonic-2017-18-review-elina-garanca-takes-us-on-a-transcendent-journey-with-mahler/

We go to Mahler for wisdom and depth and to Elina Garanca for beauty and rich interpretation. Both were present Sunday morning at the Wiener Konzerthaus. The Wiener Philharmoniker, conducted by the dynamic Venezuelan conductor, Raphael Payare, book-ended Mahler’s “Funf Lied (Five Ruckert Songs),” plus one song from “Der Knaben Wunderhorn,” with Beethoven’s Leonore Overture and Bartok’s Concerto For Orchestra. {…}

Interviews, Stage Spotlight

“HUSH” – Soprano Nora Fischer & Electric Guitarist Marnix Dorrestein On Bringing A New Perspective To 17th Century Music In Their New Album

https://operawire.com/hush-soprano-nora-fischer-electric-guitarist-marnix-dorrestein-on-bringing-a-new-perspective-on-17th-century-music-in-their-new-album/

Scarlatti, Purcell, Monteverdi, Dowland, Vivaldi, and Caldara, were popular in early music, but without traditionally played instruments and vocals, could music from the 17th century resonate in the same way today?  “HUSH,” an album that is pushing boundaries in the classical music world, was just released by Deutsche Grammophon and is sparking new ideas surrounding innovation and creativity in early {…}

Reviews, Stage Reviews

National Sawdust 2018 Review – The Secret Diary of Nora Plain: An Immersive Experience That Explores Surveillance & The Inner Mind

https://operawire.com/national-sawdust-2018-review-the-secret-diary-of-nora-plain-an-immersive-experience-that-explores-surveillance-the-inner-mind/

Surrounded by the puzzle-like figurations on the walls of the National Sawdust performance space for a Classical Sunday series, audience members discovered Nora Plain as she stood on stage. The Ragazze Quartet circled Nora as she began to sing in a speech-like style.  She shared with listeners a private confessional as she performed “I Did Some Things,” and invited all to {…}

Reviews, Stage Reviews

Juilliard School 2018 Review – Hippolyte et Aricie: Production Recreates What Rameau Would Have Hoped For

https://operawire.com/juilliard-school-2018-review-hippolyte-et-aricie-productions-recreates-what-rameau-would-have-hoped-for/

Premiering in 1773, Jean-Phillipe Rameau’s first opera, “Hippolyte et Aricie,” was considered to be a ground-breaking and controversial work that would further inspire a continuation of masterpieces that Rameau would create in support of “modern” music.  Modeled after Racine’s tragedy “Phèdre,” Rameau created a tragédie lyrique, that stirred perspectives surrounding a genre of French opera that began with Jean-Baptiste Lully {…}

Reviews, Stage Reviews

Metropolitan Opera 2017-18 Review – Il Trovatore: Four Great Voices Give Verdi Drama Wondrous Life In McVicar’s Genius Production

https://operawire.com/metropolitan-opera-2017-18-review-il-trovatore-four-great-voices-give-verdi-drama-wondrous-life-in-mcvicars-genius-production/

In recent years, Verdi’s “Il Trovatore” has slowly but surely established a potent foothold in the Metropolitan Opera’s standard repertory. The main reason? David McVicar’s striking and still awe-inspiring interpretation of Verdi’s middle-period masterwork. A Master At Work The inspiration of Francisco de Goya and his tableaus is obvious from the opening curtain and onwards. At the core of it {…}

News

British Opera Director Accused of Sexual Misconduct

https://operawire.com/british-opera-director-accused-of-sexual-misconduct/

Sexual harassment scandals continue the opera world as British theater and opera director Ramin Gray has been accused of sexually molesting a number of actresses. The Telegraph is reporting that “independent investigations” are being held after actresses complained that the director has behaved sexually inappropriate to them. The Young Vic in London is currently showing “The Suppliant Women” which was directed by {…}