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Anna Netrebko, Klaus-Florian Vogt & Emily Magee Headline Semperoper Dresden’s 2019-20 Season

https://operawire.com/anna-netrebko-klaus-florian-vogt-emily-magee-headline-semperoper-dresdens-2019-20-season/

The Semperoper Dresden has announced its slate for 2019-20, which will include seven new productions to go along with 23 revivals. New Productions  Rossini’s “Il Viaggio a Reims” is directed by Laura Scozzi with a cast that includes Elena Gorshunova, Maria Kataeva, Tuuli Takala, Iulia Maria Dan, Taylor Stayton, Edgardo Rocha, Georg Zeppenfeld, Maurizio Muraro, Martin-Jan Nijhof, Christoph Pohl, Tilmann {…}

Reviews, Stage Reviews

Teatro Real Review 2018-19: Das Rheingold

https://operawire.com/teatro-real-review-2018-19-das-rheingold/

This review is for the performance on Jan. 19, 2019. The Teatro Real has initiated the arduous task of staging Wagner’s tremendous masterpiece “Der Ring des Nibelunguen,” presenting one opera per season. Staging this renowned masterpiece, in many ways, is the biggest challenge for any opera company. Wagner’s tetralogy is one of the most famed art works in Western culture and the mark of a great opera company is {…}

Reviews, Stage Reviews

Deutsche Oper Berlin 2023-24 Review: Götterdämmerung

https://operawire.com/deutsche-oper-berlin-2024-review-gotterdammerung/

(Photo Credit: Bernd Uhlig) There is something unique about waiting for the curtain to rise on “Götterdämmerung.” Anyone who has followed a “Ring” in the theatre, may take their seat in sadness as this evening will end the journey through the most fabled, mythical and symbolic landscape of all. Though the images and sentiments confronted in any given production condition {…}

Reviews, Stage Reviews

Deutsche Oper Berlin 2023-24 Review: Das Rheingold

https://operawire.com/deutsche-oper-berlin-2024-review-das-rheingold/

(Fotos von Bernd Uhlig, Kontakt: bernd.uhlig.fotografie@t-online.de) It does seem that the 2021 Deutsche Oper Berlin’s Ring has been somewhat of a success over the last few years. And this is good for opera. A major achievement, this as other cycles, after the centennial Patrice Chéreau staging have created negative stirrings, indeed vivid contestations largely due to mistaken stage-director conceptions ingrained {…}