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News

Sondra Radvanovsky, Anna Netrebko & Nina Stemme Headline At Deutsche Oper Berlin’s 2019-20 Season

https://operawire.com/sondra-radvanovsky-anna-netrebko-nina-stemme-headline-at-deutsche-oper-berlins-2019-20-season/

The Deutsche Oper Berlin has announced its 2019-20 season, which will include six new productions and dozens of revivals with some of opera’s greatest stars. New Productions The first new production of the season will be Verdi’s “La Forza del Destino.” The production will be directed by Frank Castorf and will star Russell Thomas and Marcelo Alvarez as Don Alvaro. {…}

News

How To Watch Live Stream ‘Das Rheingold’ & ‘Die Walküre’ From Vienna State Opera

https://operawire.com/how-to-watch-live-stream-das-rheingold-die-walkure-from-vienna-state-opera/

Wagner’s “Der Ring der Nibelungen” will be streamed via Vienna State Opera’s online live stream. Audiences will get a chance to see the first two operas of the famed cycle first this week. First, up will be “Das Rheingold” on Jan. 8, 2019. The performance, which stars Tomasz Konieczny, Norbert Ernest, Sophie Koch, Monica Bohinec, and Jochen Schmeckenbecher, will start {…}

Reviews, Stage Reviews

Deutsche Oper Berlin 2017-18 Review – Rigoletto: Zeljko Lucic To The Rescue In Muddled Jan Bosse Production

https://operawire.com/deutsche-oper-berlin-2017-18-review-rigoletto-zeljko-lucic-to-the-rescue-in-muddled-jan-bosse-production/

The Deutsche Oper Berlin had a problem for its final presentation of “Rigoletto” on Thursday night. The baritone Markus Bruck was forced to cancel around noon that day from his scheduled appearance in the title role. Fortunately, the company had a tremendous solution at hand. The Serbian baritone Zeljko Lucic was available since he was present to perform in “Nabucco” {…}

News

Jonas Kaufmann, Anja Kampe & Anja Harteros Headline Bayerische Staatsoper’s 2018-19 Season

https://operawire.com/jonas-kaufmann-anja-kampe-anja-harteros-headline-bayerische-staatsopers-2018-19-season/

The Bayerische Staatsoper has announced its 2018-19 season, which is set to include eight new productions and a number of revival productions. The season will also include a number of concert performances as well as recitals in the company’s summer festival. Here is a look at all the operatic events. New Productions  Amélie Niermeyer directs a new production of Verdi’s {…}

Reviews, Stage Reviews

Deutsche Oper Berlin 2017-18 Review – Carmen: Clémentine Margaine & Charles Castronovo Gutted By Director Obsessed With Human Organs & Vivisections

https://operawire.com/deutsche-oper-berlin-2017-18-review-carmen-clementine-margaine-charles-castronovo-gutted-by-director-obsessed-with-human-organs-vivisections/

Many opera directors today fall onto a particular idée fixe and refuse to let it go, no matter what dramaturgical or textual incongruities ensue. Vera Nemirova’s fazzoletto-laden “Otello” in Bucharest, Hans Neuenfels’ laboratory rats “Lohengrin” in Bayreuth or Krzysztof Warlikowski’s “Brokeback Mountain” “Eugene Onegin” in Munich immediately spring to mind. Joining the ignominious list is Norwegian theatre director, Ole Anders Tandberg’s {…}

Reviews, Stage Reviews

Metropolitan Opera 2017-18 Review – Die Zauberflöte: James Levine Leads a Solid Cast in Mozart’s Enigmatic Masterpiece

https://operawire.com/metropolitan-opera-2017-18-review-die-zauberflote-james-levine-leads-a-solid-cast-in-mozarts-enigmatic-masterpiece/

On September 27, 2017, the Metropolitan Opera revived its Julie Taymor production of “Die Zauberflöte.”  Her take on this beloved classic, complete with puppets and dancing flamingos, is a treasured relic of the Volpe era and this revival received the star treatment. James Levine, the Met’s music director emeritus, was in the pit while coloratura Kathryn Lewek offered her world-famous {…}

News

Metropolitan Opera 2017-18 Preview: ‘Die Zauberflöte’s’ Tale of Two Languages

https://operawire.com/metropolitan-opera-2017-18-preview-die-zauberflotes-tale-of-two-languages/

Mozart’s “Die Zauberflöte” is one of the most popular operas ever written. According to OperaBase, the work was the second most performed in 2015-16, a trend likely to continue into the upcoming seasons. For its 2017-18 rendition of the opera, the Metropolitan Opera is doing something quite unusual, at least by the company’s standards – it is showing the famed {…}