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Reviews, Stage Reviews

Teatro La Fenice 2018-19 Review: La Traviata

https://operawire.com/teatro-la-fenice-2018-19-review-la-traviata/

Teatro La Fenice certainly plays its part in making “La Traviata” the most oft-performed opera in the world. This season alone it will present 35 performances, with another 25 scheduled for next year. As in many houses, therefore, Verdi’s much loved opera forms part of the company’s staple repertoire. Obviously, an orchestra’s familiarity with a work may act as either {…}
Reviews, Stage Reviews

Teatro Municipale di Piacenza 2025-2026 Review: Stiffelio

https://operawire.com/teatro-municipale-di-piacenza-2025-2026-review-stiffelio/

(Photo : ©Gianni Cravedi) When “Stiffelio” premiered in 1850, Giuseppe Verdi was going through a period of transition: he had left behind his so-called “galley years” yet had not fully reached artistic maturity. It is precisely in this phase that “Stiffelio” emerged, revealing itself as a bold experiment: deeply modern in its approach to human conflict and, at the same {…}
Reviews, Stage Reviews

The Top Five of the New Season at Teatro alla Scala

https://operawire.com/the-top-five-of-the-new-season-at-teatro-alla-scala/

(Photo: Ansa Matteo Corner) This Monday, the long-awaited press conference was held to unveil the Teatro alla Scala’s 2025–26 season. The lineup promises to shine with big names, new productions, and ambitious projects. That’s why we’re bringing you a Top five list of the unmissable highlights of the new season! Number 1: A Bold Opening As tradition dictates, the season {…}
Reviews, Stage Reviews

Teatro alla Scala 2024-25 Review: Tosca (2019 Revival)

https://operawire.com/teatro-alla-scala-2024-25-review-tosca-2019-revival/

(Photo: Brescia e Amisano) It was December 7, 2019, when the curtain of Teatro alla Scala rose before the select audience that annually attends the Sant’Ambroeus performance, better known among opera lovers as “La prima della Scala,” the event that inaugurates the new season of the prestigious Italian theater. To open the 2019-20 season—unaware that it would soon be brutally {…}
News, Special Features

5 Key Points to Enjoy the “Prima della Scala”

https://operawire.com/5-key-points-to-enjoy-the-prima-della-scala/

(Credit: Brescia – Amisano © Teatro alla Scala) The “Prima della Scala” is more than just an opera performance; it’s a quintessential Italian event that intertwines art, history, and tradition, captivating global audiences every December 7th. This year, Teatro alla Scala inaugurates its 2024/2025 season with Verdi’s “La Forza del Destino.” Here are five essential insights to help you fully {…}
News

Star-Studded Casts Open Four Italian Theater’s 2024-25 Seasons

https://operawire.com/star-studded-casts-open-four-italian-theaters-2024-25-seasons/

(Credit: Teatro Real, Royal Opera House/Bill Cooper/Salzburg Festival) With the year coming to an end, four major Italian opera houses are set to open their 2024-25 seasons. As customary the Italian opera calendar opens in late November or early December. So here is a look at what to expect from these four famed theaters. Teatro La Fenice  The Venice Theater {…}
Reviews, Stage Reviews

Teatro Comunale di Piacenza 2024 Review: Mosè in Egitto

https://operawire.com/teatro-comunale-di-piacenza-2024-review-mose-in-egitto/

(Photo: Rolando Paolo Guerzoni) Composed by Gioachino Rossini in 1818, “Mosè in Egitto” is an opera that deserves close attention for its historical and musical significance. Created during a transitional phase in his career, Rossini crafted a masterpiece that merges sacred drama with opera seria. Based on the biblical tale of Exodus, Moses in Egypt marks a turning point in {…}
News

Teatro Regio di Torino to Present ‘Le Villi’

https://operawire.com/teatro-regio-di-torino-to-present-le-villi/

The Teatro Regio di Torino is set to present Puccini’s “Le Villi.” The opera will star Roberta Mantegna, Laura Giordano, Martin Muehle, Azer Zada, Simone Piazzola, and Gëzim Myshketa. Riccardo Frizza will conduct the rarely performed piece in a production by Pier Francesco Maestrini. Regarding the work, Frizza said, “In the centenary year of Puccini’s death, being celebrated at opera {…}

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