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Reviews, Stage Reviews

Deutsche Oper Berlin 2023-24 Review: Das Rheingold

https://operawire.com/deutsche-oper-berlin-2024-review-das-rheingold/

(Fotos von Bernd Uhlig, Kontakt: [email protected]) It does seem that the 2021 Deutsche Oper Berlin’s Ring has been somewhat of a success over the last few years. And this is good for opera. A major achievement, this as other cycles, after the centennial Patrice Chéreau staging have created negative stirrings, indeed vivid contestations largely due to mistaken stage-director conceptions ingrained {…}

Business, News

Welsh National Opera Announces New General Directors & CEOs

https://operawire.com/welsh-national-opera-announces-new-general-directors-ceos/

The Welsh National Opera has announced that Adele Thomas and Sarah Crabtree will be jointly taking on the role of General Director and CEO starting this coming January. Thomas has established herself as a major opera director who has led productions at Glyndebourne, Opernhaus Zürich, the Royal Opera House Covent Garden, the London Handel Festival, and Northern Ireland Opera. Her {…}

Reviews, Stage Reviews

Opera Theatre Saint Louis 2024 Review: La Bohème

https://operawire.com/opera-theatre-saint-louis-2024-review-la-boheme/

(Photo credit: Eric Woolsey) No matter the repertory selected, Opera Theatre Saint Louis’s (OTSL) 2024 season would have faced a significant challenge: following their memorable 2023 season and its refreshing inclusion of many singers of color. Surrounding a forgettable “Cosí Fan Tutte,” three productions made maximal artistic impact, including a fine “Tosca” starring Katie Van Kooten and Hunter Enoch as {…}

Reviews, Stage Reviews

Deutsche Oper Berlin 2023-24 Review: Der Ring des Nibelungen

https://operawire.com/deutsche-oper-berlin-2023-24-review-der-ring-des-nibelungen/

(Photo credit: Bernd Uhlig) The man who gave the opera world its most dazzling 21st century “Parsifal,” Stefan Herheim, continues his quest to interrogate the Romantic text that is Richard Wagner’s “Ring of the Nibelungen.” Inspired refreshing of a 150-year-old work of art can provide new insights and flashes of illumination. But conceptual pyrotechnics can just as easily destroy its {…}

News

Simone Schneider, Francesca Aspromonte, Matthew Polenzani, Johannes Kammler, Elizabeth DeShong Headline Staatsoper Stuttgart’s 2024-25 Season

https://operawire.com/simone-schneider-francesca-aspromonte-matthew-polenzani-johannes-kammler-elizabeth-deshong-headline-staatsoper-stuttgarts-2024-25-season/

Staatsoper Stuttgart has announced its 2024-25 season. First up is a production of “Der Freischütz” starring Johannes Kammler, Franz Hawlata, Natasha Te Rupe Wilson, and Kai Kluge. Cornelius Meister and Luka Hauser conduct a production by Achim Freyer. Performance Dates: Sept. 18 – Nov. 8, 2024 Pavel Yankovsky, Elizabeth DeShong, Rodrigo Porras Gaulo, and Atalla Ayan headline “Il Trovatore.” Valerio Galli {…}

Reviews, Stage Reviews

Bergen Festival 2024 Review: Edvard Grieg’s ‘Peer Gynt’

https://operawire.com/bergen-festival-2024-review-edvard-griegs-peer-gynt/

(Photo: Matthias Thor Brødreskift) Just as “Hamlet” belongs to the English literary legacy or Goethe’s “Faust” belongs to the German soul, so Henrik Ibsen’s “Peer Gynt” belongs to the Norwegian culture. Exactly 150 years ago, Henrik Ibsen asked the then 31-year-old composer Edvard Grieg to write a suitable musical setting for his dramatic poem in five acts. The premiere took {…}

Reviews, Stage Reviews

The Atlanta Opera 2023-24 Review: Die Walküre

https://operawire.com/the-atlanta-opera-2023-24-review-die-walkure/

(Photo credit: Raftermen Photography) Of late, The Atlanta Opera (TAO) makes possible the nearly-impossible. In March, your reviewer summarized the robust health this company enjoys despite the current fiscal climate that shrinks arts organizations. With each gut punch to classical music lovers in the United States—the Metropolitan Opera Guild evaporating and Opera News taking the form of a brief supplement {…}