Orchestre symphonique de Montréal Extends Rafael Payare’s Contract to 2031-32

By Francisco Salazar

The Orchestre symphonique de Montréal has announced that it is renewing Rafael Payare’s tenure for a five-year term.

Payare, whose initial term will conclude in the spring of 2027, will now be extended through the 2031-32 season and will become the Music and Artistic Director. Payer will also dedicate 14 to 16 weeks each regular season to the orchestra.

The change in title reflects his desire to shape the future of the OSM beyond programming and his presence on the podium.

Payare was appointed in 2021 and has consolidated the OSM’s place at the forefront of major North American orchestras, infusing energy, ardour and renewal into the Orchestra.

In a statement, Mélanie La Couture, OSM President and Chief Executive Officer said, “It is pure joy to see the relationship between Rafael, and the Orchestra continue so seamlessly. Since his first moment on the podium, a symbiotic connection was established with the musicians. His conducting style, both rigorous and radiant, reflects his deep respect for the members of the Orchestra. Owing to the strength of his artistic vision, he excels in steering the Orchestra to new heights. His community engagement energizes the OSM’s profile and makes the Orchestra more accessible and open. Rafael’s vision is now an integral part of the OSM’s DNA, to our immense delight.”

Payare added, “The love and connection I share with the Orchestra’s musicians, just like the warm reception I continue to receive from the Montreal community, make me blessed to carry forward this wonderful relationship with the OSM. My family and I have made Montreal our home out of love for this cultural and gastronomical metropolis, and we are proud to be Montrealers. Since my appointment, I have pursued cycles devoted to the works of Mahler and Shostakovich, while also giving pride of place to Québécois, Canadian and Latin American works and artists. In recording, I enjoyed the opportunity of delving into the post-Romantic Germanic repertoire and returning to the sources of the OSM with the French repertoire, notably Berlioz’s Symphonie fantastique and Ravel’s ballet Daphnis et Chloé. So many beautiful programs have been achieved since 2022, which makes me even more eager for what we can build together in the future.”

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