Lyric Opera of Chicago 2017-18 Review – I Puritani: Shagimuratova and Brownlee Thrill in Bellini’s Final Work

Opera Rara 2017-18 Review – The Man who Mistook His Wife for a Hat: Michael Nyman’s Opera About Madness Makes a Lot of Sense in Krakow

Manhattan School of Music Master Recital 2018: Baritone William Huyler Delivers Knockout Showcase of ‘Forbidden’ Composers

Chicago Opera Theater 2017-18 Review: Elizabeth Cree: A Masterpiece Hits the Stage in Potent Fashion

Canadian Opera Company 2017-18 Review – The Abduction From the Seraglio: Revisions to Libretto Don’t Feel All That Necessary

Tucson Desert Song Festival 2017-18 Review: Phillippe Sly and John Charles Britton Deliver Mesmerizing Night of Schubert

Teatro Filharmonico 2017-18 Review – Otello: Sentimental Production & Decent Cast Create Enjoyable Evening

Metropolitan Opera 2017-18 Review – Parsifal: A Brilliant Cast Shines In Met’s Greatest Production Of Last Decade

Houston Grand Opera 2017-18 Review – The Barber of Seville: Laughs Not Up To Par In Uneven Production

Houston Grand Opera 2017-18 Review – Elektra: The Great Goerke Is the Finest Elektra Of Our Time

Theater an der Wien 2017-18 Review – Maria Stuarda: Alexandra Deshorties & Marlis Petersen Put On Revelatory, Sublime Performances

New York City Opera 2017-18 Review – Cruzar la Cara de la Luna: A Revelatory Experience That Puts the Current Immigration Landscape Into New Perspective