Jan 23, 2018 Deutsche Oper Berlin 2017-18 Review – Carmen: Clémentine Margaine & Charles Castronovo Gutted By Director Obsessed With Human Organs & Vivisections
Jan 23, 2018 Teatro La Fenice Review 2017-18 – La Metamorfosi di Pasquale: Two Solid Leads Can’t Save Mediocre Work By Young Spontini
Jan 22, 2018 Metropolitan Opera: 2017-18 Review – L’Elisir D’Amore: Polenzani Leaves Audience Drunk on Love
Jan 21, 2018 Prague National Theatre 2017-18 Review – Billy Budd: Britten Masterwork Capsizes In a Sea of Questionable Direction
Jan 18, 2018 The Broad Stage Review 2018: Jonas Kaufmann’s Musical Genius Comes to Fore in Schubert’s ‘Die Schöne Mullerin’
Jan 17, 2018 Royal Opera House 2017-18 Review – Tosca: Pieczonka, Calleja, Finley Don’t Quite Mesh in Revival of Jonathan Kent’s Classic Produciton
Jan 15, 2018 Royal Opera House 2017-18 Review – Salome: David McVicar’s Thrilling Production & Michael Volle’s Violent Presence Make For Impactful Evening of Opera
Jan 13, 2018 Metropolitan Opera 2017-18 Review -Tosca: Jennifer Rowley Triumphs in Glimmering Production
Jan 10, 2018 Finnish National Opera 2017-18 Review – La Traviata: Less-Than-Spectacular Singing Saved By Roasted Almonds At Intermission
Jan 10, 2018 Tenri Cultural Institute 2018 Review – Emily Bronte: Through Life and Death, A Chainless Soul: A Fitting Celebration Of Bronte’s Genius
Jan 9, 2018 Metropolitan Opera 2017-18 Review – Cavalleria Rusticana / Pagliacci: Roberto Alagna Triumphs With Two Incredible Divas
Jan 8, 2018 Wagner Society of New York 2018 Review: Heldentenor Clay Hilley Conquers Love & Music In Life-Changing Recital