Metropolitan Opera Review 2016-17 – I Puritani: Diana Damrau, Javier Camarena & Co. Deliver Golden Age Singing

This review is for the performance on Feb. 11, 2017.  What happens when the Metropolitan Opera casts four superstars into Bellini’s final opera? The answer is golden age singing. For years “I Puritani” has been a vehicle at the Metropolitan Opera to promote the diva and sometimes has made casting uneven with little attention paid to who can sing the incredibly {…}

Metropolitan Opera Review 2016-17 – Carmen: Clémentine Margaine & Company Are Dramatically Fulfilling in Bizet’s Masterpiece

This review is for the performance on Friday, Feb. 3, 2017. When Sophie Koch cancelled all of her performances for Bizet’s “Carmen” at the Metropolitan Opera, attention immediately turned toward Clémentine Margaine, who was set to make her Met debut on Feb. 3. Instead the French mezzo saw her first performance at the history house pushed up two weeks. Of {…}

Metropolitan Opera 2016-17 Review – La Bohème: This Is No Routine Production As Fabiano, Pérez & Co. Deliver Vivacity to Powerful Tragedy

This review is for the performance on Wednesday January 11 and is written jointly by David & Francisco Salazar. Applause rang from every corner of the Metropolitan Opera, the audience awaiting the final performer to step onstage so that she too could get her accolades. The moment Ailyn Pérez walked out of the iconic golden curtain, she was not only {…}

Metropolitan Opera Review 2016-17 – Il Barbiere di Sivilgia: You Will Have Fun Seeing Camarena, Yende, Mattei & This Refreshing Cast

This review is for the performance on Monday Jan. 10, 2017.  Rossini’s “Il Barbiere di Siviglia” is one of the most famous works in the operatic repertoire as well as one of the funniest. It contains some of the most memorable melodies and space for singers to fool around and provide vocal fireworks. In recent years, the Metropolitan Opera has {…}

Metropolitan Opera Review 2016-17 – Nabucco: Placido Domingo, 75, Is Still a Rockstar & So Is the Rest of the Cast

This review is for the performance on Friday, Dec. 16, 2016. Verdi’s famed overture for his first masterwork “Nabucco” starts off with a few brass calls followed by a massive explosion of sound a few bars later. From there Verdi’s music traverses the contrast between a glorious melody clamoring for peace and one of military drive. It is this contrast between {…}

Metropolitan Opera Review 2016-17 – L’Amour de Loin: Singers Provide Light Despite a Strange Dark Moment in Saariaho’s Masterpiece

This article relates to the performance of “L’Amour de Loin” at the Metropolitan Opera on Dec. 14, 2016. There was a light show on the stage of the Metropolitan Opera House on Wednesday evening in the company’s performance of Kaija Saariaho’s “L’Amour De Loin,” though a sudden moment of darkness threatened to be the most impactful moment of the entire {…}