Metropolitan Opera 2016-17 Review – Der Fliegende Holländer: Amber Wagner & Michael Volle Deliver Complex Performances In Cathartic Season Send-Off

This is a review for the final performance of the run, which took place on May 12, 2017.  The first opera I saw during the Metropolitan Opera’s 2016-17 season was Richard Wagner’s “Tristan und Isolde.” So it was only fitting that the last one I saw this season was “Der Fliegende Holländer,” the first to truly establish the composer as {…}

On Site Opera Review 2016-17 – The Secret Gardener: Co-Commission With Atlanta Opera Results In Fascinating Communal Storytelling

Buzzing in conversation, an increasingly larger group of people sat around the circular West Side Community Gardens, their proximity one another as close as it was to the numerous flower beds growing around them. A wind octet and string bass were perched on the Northern side of the central circle with conductor Geoffrey McDonald waiting patiently as more and more {…}

Metropolitan Opera 50th Anniversary Gala Review: Dmitri Hvorostovsky’s Surprise Return Among Many Highlights in a Memorable Night

As Music director Designate Yannick Nézet-Séguin kicked off the first notes of Bernstein’s Overture to “West Side Story,” audiences got to view a video showcasing the artistic design and progression toward the creation of the new Metropolitan Opera house. The graphic design and special effects hinted at a nostalgic evening filled with a look back, some looks forward, all while {…}

Metropolitan Opera Review 2016-17 – Cyrano de Bergerac: Alagna & Rowley Lead Production Filled With ‘Panache’

Franco Alfano’s “Cyrano de Bergerac” has never truly managed to establish a foothold in the operatic canon. The work only premiered at the Metropolitan Opera in 2005 and Roberto Alagna, the opera’s most dedicated interpreter has stated that he struggled to find a company willing to take a chance on it. Despite its Italian composer, the music works very much {…}

Canadian Opera Company 2016-17 Review – Tosca: Adrianne Pieczonka Slays As Puccini’s Tortured Diva

Sopranos dead by the final curtain are a dime a dozen; murderous sopranos are rarer; sopranos who slay murderous roles scarcer still. As “Tosca,” in the Canadian Opera Company’s revival of Puccini’s beloved work which opened on April 30th, Canadian soprano Adrianne Pieczonka died, murdered, and slayed, not necessarily in that order. A Triumphant Diva Her death should have been {…}

Metropolitan Opera 2016-17 Review – Der Rosenkavalier: Elīna Garanča, Günther Groissböck Deliver Nuanced Performances In Solid Production

The Metropolitan Opera’s new production of “Der Rosenkavalier” by Robert Carsen is as high stakes as it gets these days for the company in both the short and long-term view. In the short-term view, this production is the punctuation on the current season, its final new staging. It will also be the final HD performance of the season, and more {…}