Metropolitan Opera Review 2016-17 – Cyrano de Bergerac: Alagna & Rowley Lead Production Filled With ‘Panache’

Franco Alfano’s “Cyrano de Bergerac” has never truly managed to establish a foothold in the operatic canon. The work only premiered at the Metropolitan Opera in 2005 and Roberto Alagna, the opera’s most dedicated interpreter has stated that he struggled to find a company willing to take a chance on it. Despite its Italian composer, the music works very much {…}

Canadian Opera Company 2016-17 Review – Tosca: Adrianne Pieczonka Slays As Puccini’s Tortured Diva

Sopranos dead by the final curtain are a dime a dozen; murderous sopranos are rarer; sopranos who slay murderous roles scarcer still. As “Tosca,” in the Canadian Opera Company’s revival of Puccini’s beloved work which opened on April 30th, Canadian soprano Adrianne Pieczonka died, murdered, and slayed, not necessarily in that order. A Triumphant Diva Her death should have been {…}

Metropolitan Opera 2016-17 Review – Der Rosenkavalier: Elīna Garanča, Günther Groissböck Deliver Nuanced Performances In Solid Production

The Metropolitan Opera’s new production of “Der Rosenkavalier” by Robert Carsen is as high stakes as it gets these days for the company in both the short and long-term view. In the short-term view, this production is the punctuation on the current season, its final new staging. It will also be the final HD performance of the season, and more {…}

Teatro La Fenice Review 2016-17 – Lucia di Lammermoor: Nadine Sierra’ s Performance Hints At A Legend In the Making In Psychologically Nuanced Production

When attending a performance of “Lucia di Lammermoor” at one of the world’s top opera houses one would be very surprised to find a Lucia who is not up to the job. We are, in fact, blessed with an array of professional singers who are well equipped to perform the role to the requisite standard but finding one who can {…}

Metropolitan Opera 2016-17 Review – La Traviata: Carmen Giannattasio, Plácido Domingo & Atalla Ayan Give Legendary Performance As Willy Decker’s Sublime Production Says Goodbye

Friday night at the Metropolitan Opera was the last time that audiences would get a chance to see Willy Decker’s production of Verdi’s “La Traviata.” The powerful vision that first came to see the light of the world in Salzburg over 10 years ago is in and of itself a long goodbye, an intricate look at how a woman says {…}