Salzburg Festival 2017 Review – Aida: Anna Netrebko, Riccardo Muti Create Glorious Music In Light of Pointless Production

Salzburg Festival is about luxury. The audience is filled with celebrities, the casts are filled with stars, and the (relatively) higher priced tickets, all show its luxury. Yet, what defines its luxury, for me, is its long rehearsal period. When Anna Netrebko said in an interview how she wanted more rehearsals and Riccardo Muti said “preparing an opera the way {…}

Arena di Verona 2017 Review – Nabucco: Risorgimento Setting Lifted By Mesmerizing Vocal Artistry

This review is for the performance on August 4, 2017 and was written in collaboration with Editor-in-Chief David Salazar. “Va pensiero,” the famous chorus from Verdi’s “Nabucco” is often cited as an unofficial national anthem for Italy and proved as such throughout the Risorgimento when the country was battling for its independence from the Austrian Empire. The choral passage, with {…}

Santa Fe Opera 2017 Review – The (R)evolution of Steve Jobs: Solid Cast Lead Strong Debut Run of Mason Bates / Mark Campbell Opera

Steve Jobs would probably hate all the biopics that have snowballed since his 2011 death. However, the public just can’t seem to get enough of the troubled genius, especially at the Crosby Theatre. Santa Fe Opera presented composer Mason Bates’ and librettist Mark Campbell’s “The (R)evolution of Steve Jobs” to yet another sold out crowd on Aug. 10, 2017. Though {…}

Santa Fe Opera 2017 Review – Golden Cockerel: Emmanuel Villaume Leads An Impressive Cast In Rimsky-Korsakov’s Masterpiece

Nikolai Rimsky-Korsakov probably knew that a tale of an appallingly incompetent royal would still resonate with audiences almost 108 years after its Moscow premiere. On August 3, 2017, the Santa Fe Opera presented Rimsky-Korsakov’s seldom-performed “The Golden Cockerel,” marking its SFO debut. At the podium was conductor Emmanuel Villaume, paired with famed English director Paul Curran. Years ago, when Santa Fe Opera {…}