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Reviews

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Apr 3, 2018

NYU Steinhardt 2107-18 Review – Dialogues of the Carmelites: The Horrors of the French Revolution Portrayed In Potent Manner

Apr 3, 2018

Carnegie Hall 2017-18 Review – Der Rosenkavalier: Kirill Petrenko Leads Bayerisches Staatsorchester in History-Making Performance

Apr 2, 2018

Vienna State Opera 2017-18 Review: Parsifal: Alvis Hermanis’ Madhouse Production Will Drive You Crazy (Not In a Good Way)

Apr 2, 2018

Palau de les Arts 2017-18 Review – Il Corsaro: Michael Fabiano & Vito Priante Dominate in Early Verdi Opera

Apr 1, 2018

Metropolitan Opera 2017-18 Review – Luisa Miller: An Unquestioned Triumph for Yoncheva and Beczala

Mar 30, 2018

Teatro Maggio Musicale Fiorentino 2017-18 Review – Alceste: Nino Surguladze Has Solid Night in Sweet Revival of Gluck Opera

Mar 28, 2018

New York City Opera 2017-18 Review – Il Pigmalione and Pigmalion: An Unusual & Exciting Double-Bill

Mar 26, 2018

Royal Opera House Season 2017-18 Review – Macbeth: Anna Netrebko & Zeljko Lucic Shine In Unsatisfactory Production

Mar 26, 2018

Chicago Symphony Orchestra 2017-18 Review: Sublime Schubert & DeShong Debut Mark Enthralling Evening

Mar 26, 2018

Carnegie Hall 2017-18 Review – Rinaldo: The English Concert Conquers In Hearts & Imagination in Handel Masterpiece

Rustioni
Mar 24, 2018

Opéra de Lyon Season 2017-18 – Attila: Verdi Opera Rants & Rampages But Daniele Rustioni Reigns

Mar 23, 2018

Metropolitan Opera 2017-18 Review – Lucia di Lammermoor: Olga Peretyatko-Mariotti & Vittorio Grigolo Triumph In ‘Lucia Di Lammermoor’

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