Apr 3, 2018 NYU Steinhardt 2107-18 Review – Dialogues of the Carmelites: The Horrors of the French Revolution Portrayed In Potent Manner
Apr 3, 2018 Carnegie Hall 2017-18 Review – Der Rosenkavalier: Kirill Petrenko Leads Bayerisches Staatsorchester in History-Making Performance
Apr 2, 2018 Vienna State Opera 2017-18 Review: Parsifal: Alvis Hermanis’ Madhouse Production Will Drive You Crazy (Not In a Good Way)
Apr 2, 2018 Palau de les Arts 2017-18 Review – Il Corsaro: Michael Fabiano & Vito Priante Dominate in Early Verdi Opera
Apr 1, 2018 Metropolitan Opera 2017-18 Review – Luisa Miller: An Unquestioned Triumph for Yoncheva and Beczala
Mar 30, 2018 Teatro Maggio Musicale Fiorentino 2017-18 Review – Alceste: Nino Surguladze Has Solid Night in Sweet Revival of Gluck Opera
Mar 28, 2018 New York City Opera 2017-18 Review – Il Pigmalione and Pigmalion: An Unusual & Exciting Double-Bill
Mar 26, 2018 Royal Opera House Season 2017-18 Review – Macbeth: Anna Netrebko & Zeljko Lucic Shine In Unsatisfactory Production
Mar 26, 2018 Chicago Symphony Orchestra 2017-18 Review: Sublime Schubert & DeShong Debut Mark Enthralling Evening
Mar 26, 2018 Carnegie Hall 2017-18 Review – Rinaldo: The English Concert Conquers In Hearts & Imagination in Handel Masterpiece
Mar 24, 2018 Opéra de Lyon Season 2017-18 – Attila: Verdi Opera Rants & Rampages But Daniele Rustioni Reigns
Mar 23, 2018 Metropolitan Opera 2017-18 Review – Lucia di Lammermoor: Olga Peretyatko-Mariotti & Vittorio Grigolo Triumph In ‘Lucia Di Lammermoor’