Reviews
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Canadian Opera Company 2017-18 Review – The Abduction From the Seraglio: Revisions to Libretto Don’t Feel All That Necessary
Tucson Desert Song Festival 2017-18 Review: Phillippe Sly and John Charles Britton Deliver Mesmerizing Night of Schubert
Teatro Filharmonico 2017-18 Review – Otello: Sentimental Production & Decent Cast Create Enjoyable Evening
Metropolitan Opera 2017-18 Review – Parsifal: A Brilliant Cast Shines In Met’s Greatest Production Of Last Decade
Houston Grand Opera 2017-18 Review – The Barber of Seville: Laughs Not Up To Par In Uneven Production
Houston Grand Opera 2017-18 Review – Elektra: The Great Goerke Is the Finest Elektra Of Our Time
Editorial: Updated With Retraction – Peter Gelb Must Apologize to John Copley Lest He Damage Credibility in #MeToo Movement
Theater an der Wien 2017-18 Review – Maria Stuarda: Alexandra Deshorties & Marlis Petersen Put On Revelatory, Sublime Performances
New York City Opera 2017-18 Review – Cruzar la Cara de la Luna: A Revelatory Experience That Puts the Current Immigration Landscape Into New Perspective
Palazzetto Bru Zane 2017-18 Review – Le Tribut de Zamora: Gounod Bicentennial Year Off to a Great Start in Munich
