On the surface, Christa Ludwig and Teresa Berganza have nothing in common, aside from the fact that they were born on the same day, March 16, and were two of the greatest mezzo-sopranos in history. But their repertoire was wildly different. Ludwig was best known for her native German repertoire while the Spaniard, Berganza, was famous for her work in {…}
This Sunday, audiences will get a look at the next set of Met Council Audition winners. The competition is perhaps the most prestigious in the entire country and one of the most important in the world. The first competition took place in 1954, each decade bringing us major talents that have gone on to incredible careers. Here are some of {…}
Antonietta Stella is one of the great Italian sopranos of all time. Known for her potent and elegant vocal artistry, she was a heralded interpreter of the dramatic repertoire. During a time when such greats as Maria Callas and Renata Tebaldi were dominating the opera world, Stella held her own, making several high-profile recordings that remain among favorites, especially in {…}
Klaus Florian Vogt is regarded as one of the most sought-after Wagnerian tenors his generations. He has marveled audiences with his intense lyricism and his commitment to each role he portrays. This week he returns to the Metropolitan Opera for the first time since 2006 when he made his debut in the title role of Wagner’s “Lohengrin.” This time Met {…}
Filming “Carmen” with Francesco Rosi and Plácido Domingo was a major moment in the career of Julia Migenes, potentially career defining. The American mezzo, born on March 13, 1949, had already put together a solid career prior to the 1984 film, starring in a film version of “Eine Nacht in Venedig” and the original Broadway production of “Fiddler on the {…}
“Simon Boccanegra” was one of Verdi’s most sublime operas and a prized creation for the composer. After suffering a brutal premiere back on March 12, 1857, the work was essentially left for dead, likely to never get a chance to firmly establish its place alongside many of Verdi’s other masterworks. But on March 24, 1881, the composer premiered another version {…}
It is arguably the most misogynistic piece in all of opera, its text essentially calls women “fickle” and “small-minded.” And yet everyone revels in its sumptuous melody that has become opera’s most iconic number. When Verdi first composed “La Donna e mobile” for his “Rigoletto,” which premiered on March 11, 1851, he hid it for tenor Raffaele Mirate because he {…}
Lorenza da Ponte, born on March 10, 1749, is best known for three collaborations he had with Mozart. Those operas, “Le Nozze di Figaro,” “Don Giovanni” and “Così Fan Tutte” stand as some of the greatest in the repertoire, not only because of Mozart’s great music, but also as a result of Da Ponte’s brilliant dramatic skills. But the librettist {…}
On March 9, 1842, Verdi scored his first major success with his opera “Nabucco.” Two years later, on March 9, 1844, the composer scored another riveting success with the world premiere of his “Ernani.” While the respective journeys of these two works have diverged over the one-hundred plus years since their respective debuts (“Nabucco” is a cornerstone of the repertoire {…}
