“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment “To All the Boys {…}
(Credit: Robert Workman) Back in 2018 when Jonathan Tetelman made a surprise debut at the Tanglewood Festival, OperaWire wrote “we’ll all be hearing a lot more about him, and soon.” The tenor showed promise and immediately became a major tenor on the rise. Two years later, Tetelman has fulfilled that promise bringing his career to an international level with major {…}
We are back with the second in our word search series. For this edition, we will ask you to find the opera based on one clue – a major character from an opera. Instructions: You are free to solve the word search directly on your mobile or desktop device; just click the first and last letter of each word for {…}
“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment “The Shawshank Redemption.” You {…}
“Lucrezia Borgia” is one of the most challenging soprano roles of the Bel Canto repertoire. It is a part that sopranos relish to sing due to the complexity of the character and the flashiness of the music. So when a new soprano takes on the part for the first time, it is always exciting to wonder how that singer will {…}
With the new year, OperaWire is intent on developing the type of content we offer our readers, but also offering them new means of interaction. As such, we are happy to unveil a series of fun weekly word games ranging from word searches, cross word puzzles, and others centering on operatic themes. For this first edition, we will simple ask {…}
“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment Max Minghella’s “Teen Spirit.” {…}
(Credit: Robert Workman) In 2016 a young dramatic soprano won the Zarzuela Division and Second Prize at the Operalia Competition launching her international career and making her one of the most promising dramatic sopranos of her generations. A year before that the soprano had won the Metropolitan Opera National Council Auditions as well as the Gerda Lissner Foundation, and the {…}
(Credit: Hans Fahrmeyer) Wagner’s “Der Fliegende Holländer” is a work of consummate importance. Premiering on Jan. 2, 1843, it launched the famed composer in a new direction, cementing his legacy as one of the greatest, if not the greatest, composers of opera. This is an opera that the most beloved of Wagnerians would know inside and out. So here is {…}
